Taranaki Daily News

Upgrade to perfect late-night thrills

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Upgrade (R16, 100mins) Directed by Leigh Whannell ★★★★

Grey Trace (Logan MarshallGr­een) is an analogue man in a digital world.

The self-confessed ‘‘dumb-ass mechanic’’ has no time for his wife Asha’s (Melanie Vallejo) self-drive car or printed pizza. He’d rather be tinkering on his Trans Am or chugging back a beer.

But his life is changed seemingly irrevocabl­y after a nightmaris­h trip to drop off one of his automotive restoratio­ns to a client – baby-faced tech mogul Eron King (Harrison Gilbertson).

Asha’s autodrive malfunctio­ns, causing a car crash in his old, seedy neighbourh­ood and then, rather than help them seek medical attention, local toughs murder Asha and leave Trace paralysed.

Waking up to his new wheelchair-using existence, an unimpresse­d Trace quickly loses the will to live.

However, a surprise visitor to his bedside, King, offers him a chance to walk again.

‘‘I’m not looking to restore my life, I’m looking for the off switch,’’ Trace retorts, before the frustratio­n with the police’s lack of progress in solving who killed Asha begins to weigh on his mind.

Eventually, he agrees to the groundbrea­king operation, which would place an implant in his spinal column. But even Grey isn’t prepared for just how advanced the Stem system is.

Best known as the co-creator of the Saw and Insidious horror franchises, Aussie screenwrit­er Leigh Whannell has crafted another crowdpleas­er filled with gruesome deaths and ghoulish comedy.

Only his second turn behind the camera (after 2015’s Insidious: Chapter 3), Upgrade possesses the same swagger, visual flourishes and twisty-turny narrative that made 2004’s original Saw such a breakout hit.

However, while the relentless action and revenge tale will appeal to fans of the recent John Wick

movies (a comparison hard to miss given Marshall-Green’s resemblanc­e to Wick star Keanu Reeves), Upgrade’s clear inspiratio­ns are much older.

This update is for anyone who loved dark 1980s action-horror comedies like Robocop, Dark Man

and yes, Brain Damage.

Gleefully anarchic, winceinduc­ing and laugh-out-loud in equal measure, Upgrade is perfect late evening entertainm­ent.

 ??  ?? Upgrade is for anyone who loved dark 1980s action-horror comedies.
Upgrade is for anyone who loved dark 1980s action-horror comedies.

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