The New Zealand Herald

Christchur­ch can show how design lifts safety

- Jarrod Gilbert comment

While politician­s in the United States debate what to do about the plague of mass shootings occurring in their country, an unlikely group is taking definitive action: architects.

When a gunman killed 20 students at a school in Sandy Hook in Connecticu­t, the town decided to build a new school and the architects had crime in mind when they designed it.

The new school has a broad front entrance that allows for open surveillan­ce while a rain garden — in effect, a form of moat — acts as a boundary. The entrances have been designed to allow greater control as to who enters the building.

The designing of buildings and public spaces to inhibit crime is not new. Crime Prevention Through Environmen­tal Design, or CPTED (pronounced sep-ted), was devised in the 1970s but has become increasing­ly popular in recent times, including in New Zealand.

In fact, one of CPTED’s leading exponents, Dr Franks Strokes, is a Kiwi.

Using his ideas and others from around the world, the Ministry of Justice devised CPTED principles in 2005 that they have pushed out to city councils nationwide, although uptake has been variable.

One place where it has been adopted as a priority is in Christchur­ch. An innercity needing to be entirely rebuilt after earthquake­s required careful thought and CPTED was seen as important to that.

Christchur­ch’s top cop, Superinten­dent John Price, is a fan of preventing crime rather than simply responding to it, and he is one who has identified the value of good design. “I’d rather not have to deploy [so many] police officers in the CBD, I want the CBD to largely police itself. And if we can do that through some basic CPTED principles, which we can, then we should.”

One standout example is the bus interchang­e that replaced the pre-quake rabbit warren which was a hotbed of crime and disorder.

Statistics show that crime in the new interchang­e has dropped dramatical­ly. Police calls for service there are just a quarter of what they were in the old one. And while we must be extremely cautious making such comparison­s because the city pre-quake and now is so different, even in relation to the temporary interchang­e crime has fallen sharply.

The police are convinced this has much to do with the new design.

In this instance the improvemen­ts cost nothing. The architect told me good CPTED did not have to increase the budget. He also said it should be invisible to the public. This is because CPTED isn’t an architectu­ral style, it is a series of measures and techniques that can be applied to any kind of building or space.

People may notice that a place “feels good” without knowing why.

The interchang­e includes toilet facilities that open directly on to a shared, observable foyer meaning people can be noticed if they are lingering in unusual ways. This discourage­s nefarious behaviour as the public unknowingl­y become guardians of the space. People are less likely to commit crime if they think they are being observed.

Alcoves and other potential spaces of entrapment have been minimised, and the use of many visually permeable barriers in areas such as bicycle storage allow for observatio­n ahead of travel, and maximise natural surveillan­ce.

The footpath outside the building is wide, and subtle changes in the pavement material mark the distinctio­n between waiting and walking areas — to make it less likely people will bump into each other (particular­ly late-night revellers) and thus reduce the likelihood of fights.

But CPTED is not just about reducing crime. A key idea of CPTED is a rejection of a “fortress mentality”, meaning it seeks to maximise the use of public spaces by linking places with corridors and pathways that are well lit and open. In this way designers don’t just minimise crime, they increase liveabilit­y. When places feel safe people naturally use them more.

If Christchur­ch gets it right, the many “no-go” areas that we expect in central cities may be completely designed out.

While town planners and architects in New Zealand don’t have to consider mass shootings like they do in the US, tackling complex issues like crime by designing spaces that are safe and inviting is neverthele­ss attractive here.

The Christchur­ch experience is one we should all watch with interest.

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