The New Zealand Herald

An inconvenie­nt start to new era

Sundance Festival opens with sequel to watershed doco

- Lindsey Bahrap — AP

Ten years after the watershed environmen­tal documentar­y An Inconvenie­nt Truth debuted, climate change is as dire as ever and yet the solutions are right in front of us, say directors Bonni Cohen and Jon Shenk, whose film An Inconvenie­nt Sequel has opened the Sundance Film Festival.

The film, which follows former Vice-President Al Gore on his continued quest to educate and inform the public and world leaders on climate change, is the first in a series of 14 environmen­tally focused documentar­ies scheduled to play at the annual film festival in their newly anointed “New Climate” section.

The films include looks at coral ( Chasing Coral), the Mexico City sewer system ( The Diver), Greenland’s ice sheet ( Melting Ice), and the industry of big-game hunting ( Trophy).

Sundance founder and longtime environmen­talist Robert Redford said “independen­t perspectiv­es are adding the depth and dimension needed for us to find common ground and real solutions.

“It’s fitting then that the festival begins with a sobering look at just what has happened since An Inconvenie­nt Truth helped made climate change part of the popular consciousn­ess”.

That film, directed by Davis Guggenheim, won the Academy Award for best documentar­y feature (Guggenheim’s role in the new film is as executive producer).

“It’s more overwhelmi­ng and more horrible and bleak than you ever thought, but also you realise that we’re closer than ever to a turning point where things can really change. It’s really intense,” Shenk said recently.

“People have got used to and almost numb to the climate crisis and this feeling of, ‘What can we do?’ This film will elucidate both what has happened and what is possible.”

That the film is premiering the day before Donald Trump, who has dismissed climate change as a hoax, assumes the presidency is not lost on the film-makers, who call this moment “a cold shower”. And yet they’re still hopeful. “We’re at a very different place in terms of the solutions now,” Cohen said. “It is kind of an exciting time from Al Gore’s perspectiv­e, not only to put the dire message out but to offer to people solutions.” Film-maker Marina Zenovich also notes the poignant and urgent political moment in which these films are debuting. Her film, called Water and Power: A California Heist, has been described as “Chinatown the documentar­y”. “We didn’t time this, but this is how it happened,” Zenovich said. “We have this valuable, precious resource that is like gold, it’s like a treasure and it’s being privatised and commodifie­d and it’s kind of like the time has come for us to all come together and pay attention to it.”

While urgency looms in the New Climate section and documentar­ies on subjects like Syria and domestic police practices fill out the schedule, festival interest might rest elsewhere, according to Tatiana Siegel, a senior film writer for the Hollywood Reporter.

“It’s interestin­g because a lot of the docs are very issue-oriented,” Siegel said.

“But when you talk to buyers, the ones that they’re most interested in are a little bit more escapist.”

Sundance has launched films like Whiplash, Beasts of the Southern Wild, and Manchester by the Sea in recent years.

Buzzy titles premiering over the two weeks include the Gulf War drama The Yellow Birds, starring Jennifer Aniston and future Han Solo, Alden Ehrenreich; director Dee Rees’ WWII-era racial drama Mudbound with Mary J. Blige and Carey Mulligan; and The Incredible Jessica James starring comedian Jessica Williams.

Also hotly anticipate­d is the Roxane Shante biopic Roxanne Roxanne starring Nia Long and Moonlight’s Mahershala Ali.There’s also films like 78/52, which dissects the shower scene in Alfred Hitchcock’s Psycho, the 235-minutelong Grateful Dead documentar­y Long Strange Trip, which recently sold to Amazon, and Step, about a group of high school girls in inner-city Baltimore.

Step director Amanda Lipitz, also a Broadway producer, had been making shorts about kids from her hometown of Baltimore who were the first in their family to go to college when she stumbled upon stepping, a style of dancing punctuated by hand claps and foot stomps, popularise­d by black fraterniti­es and sororities, through a group of girls she’d been documentin­g.

“They were doing this handclap thing and I said, ‘What are you doing?’ and they said, ‘We’re stepping! You’ve got to come, you’ve got to film this step team,”’ she said.

“I went and brought cameras and walked in to the gym and my heart stopped beating and I thought, ‘Oh my God, this is what happens in a great musical! When characters can’t speak anymore so they sing to express their hopes and their dreams’.”

 ?? Pictures / AP ??
Pictures / AP
 ??  ?? Al Gore (second left above) in a scene from An Inconvenie­nt Sequel — a film by Bonni Cohen and Jon Shenk. Sundance Institute founder Robert Redford (left) says independen­t voices are helping identify solutions to issues like climate change.
Al Gore (second left above) in a scene from An Inconvenie­nt Sequel — a film by Bonni Cohen and Jon Shenk. Sundance Institute founder Robert Redford (left) says independen­t voices are helping identify solutions to issues like climate change.

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