The New Zealand Herald

ROLE REVERSAL

Julia Roberts finds life (and her roles) get better with age

- Jake Coyle

Julia Roberts is sitting on a couch in a Soho hotel when Lucas Hedges bursts in and begins franticall­y searching for his phone, sending pillows flying.

“This is what I say to Finn,” Roberts says, referencin­g one of her three children as she instructs her 21-yearold co-star. “Where did you go from here, honey?”

Roberts’ motherly instincts play a big part of her latest film, Ben Is Back. Written and directed by Peter Hedges

(Dan in Real Life, and the father of Lucas), Ben Is Back is about a son (Lucas) home from rehab for Christmas.

The short visit resurrects past demons and present temptation­s for Ben, testing his mother’s anxious balance of trust and suspicion.

It’s the second standout performanc­e recently for Roberts, who also stars in Amazon’s acclaimed conspiracy thriller Homecoming as a government-sponsored caseworker coaxing soldiers back into civilian life. It’s a more dramatic chapter for Roberts, the most quintessen­tial of movie stars, who at 51 is stretching in new directions increasing­ly further afield from the frothier romantic comedies she built her career on.

“With age comes more complexity of possible parts,” Roberts said in a recent interview. “You know, I’m happy and I have fun at home, so it would take a lot for someone to say: ‘Look, you can play this part where you’re happy and have fun’. Well, I just do that at home!”

It can take a lot to get Roberts away from home. She’s notoriousl­y picky, generally acting in one film a year, and also has to factor her kids’ school schedule and that of her husband, cinematogr­apher Danny Moder.

Roberts has, quite contentedl­y, largely withdrawn from the limelight. She knits. She plays mahjong with girlfriend­s once a week. She will watch Point Break anytime it’s on TV.

But she still wears the role of movie star about as comfortabl­y as anyone ever has, and in person she remains genuinely, breezily, unaffected­ly herself, a quality that has made countless feel as if they know — really know — her.

Roberts grants that the public’s impression of her is “probably relatively accurate”, something few who have graced so many tabloid covers in their lifetime can do. “I mean, I’m not interested in trying to seem cooler than I am or something.”

Still, Roberts, a four-time Oscar nominee and one-time winner (Erin

Brockovich), is also indelibly linked to the ’90s and 2000s pre-digital movie era when stars, not superheroe­s, still ruled the box office.

Times have changed; her breakthrou­gh film, 1990’s Pretty

Woman, is now a Broadway musical. Roberts recently had the out-of-body experience attending it alongside Barbara Marshall, wife of the film’s late director Garry Marshall.

“I wasn’t prepared for how profoundly it made me miss Garry,” she said, choking up.

“I wasn’t prepared for how all of the improvs that I created are in a Broadway book now,” she says. “People are saying things that I was just making up, just vamping.”

And long before pay equality became an industry-wide concern, Roberts was among Hollywood’s highest paid stars. Asked about the #MeToo movement and Hollywood gender parity, Roberts replied, “You can never rest.”

“You think that’s sorted and you come around a corner and then how is it not sorted suddenly?” She notes a few advancemen­ts that hit home for her and her family, like equal pay for women surfers.

“Things like this give me hope.” Lately, Roberts has been trying some new things. She joined Instagram in June. Homecoming is her first foray into a TV series. Roberts insisted Sam Esmail (Mr. Robot) direct all the episodes and that all the scripts be completed before shooting began. She similarly helped shape Ben Is

Back, pushing for Peter Hedges to cast his son, the in-demand breakout star of a tall task because Lucas has deliberate­ly sought to establish himself outside his father’s shadow.

“When Julia read the script and met with me, I came with a list of actors that I thought would be good for the part, and Lucas wasn’t on that list,” Peter Hedges said by phone.

“Before I could even share that list with her she said: ‘Lucas needs to play this part.’ I said, ‘One, I don’t think he’s available, and, two, I don’t think he would ever want to do a film with me’. Once she signed on, she began a very persuasive and I think classy campaign. She made an effort to let him know that she thought he should do the film with her.”

It is hard to say no to Julia Roberts. The actress later invited Lucas to her Malibu home where she says he became part of the family, hanging out and taking her kids to the beach. Making Ben Is Back was about fostering a relationsh­ip with her fictional son.

“Spending time with Lucas meant that I had heart-space with him, and that is what I called upon and relied upon for the movie,” says Roberts.

Like much of Roberts’ best recent work, including Wonder and August:

Osage County (for which she received an Oscar nomination), Ben Is Back revolves around family, both on and off screen.

While her next film, Little Bee ,is a drama, too, Roberts hasn’t turned away from romantic comedies for good.

“It’s just two delicious things put together,” says Roberts.

But Ben is Back and Homecoming have allowed Roberts to expand on the dramatic work she did with Steven Soderbergh (Erin Brockovich) and Mike Nichols (Closer, Charlie

Wilson’s War), who once said of the actress: “Her face is made by God to express thought and feeling.”

 ??  ?? Julia Roberts wears the role of movie star comfortabl­y, but chooses her parts carefully and is glad for more variety.
Julia Roberts wears the role of movie star comfortabl­y, but chooses her parts carefully and is glad for more variety.

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