The New Zealand Herald

Muted musos broke

- Travis Loller

Colin Poulton moved to Nashville in 2008 to study commercial guitar. He dropped out of college but stuck with the city and the guitar, first playing in a series of original bands and more recently making his living in the honky-tonks of Lower Broadway along with “a few wedding bands and some other bands”.

All those gigs ended abruptly when the coronaviru­s hit. The clubs shut on March 16 to slow the spread, and Nashville’s normally packed downtown streets are all but deserted. Poulton applied for unemployme­nt as soon as Congress passed the federal relief bill extending benefits to non-traditiona­l workers. He’s been without steady work for five weeks now but so far has received nothing.

“A lot of us went from having anywhere from four to seven gigs a week to nothing,” Poulton said.

“There’s a lot of confusion and, frankly, fear rampant in the community because they don’t know if they’re going to get something and, if so, how much,” said Dave Pomeroy, president of the Nashville Musicians’ Associatio­n, the local union.

Nashville is known as the home of country music in the United States, and Pomeroy said probably 100,000 people in in the city play music profession­ally, although they may not all be full-time musicians.

For many of Nashville’s musicians, there’s an additional hitch. Their income is from a mix of sources, some treating them as employees and others treating them as independen­t contractor­s or self-employed.

Workers who have any money coming in on a W-2 (Wage and Tax Statement) and are eligible for traditiona­l state unemployme­nt can’t claim the new federal unemployme­nt benefits from their contract work, even if that makes up the majority of their income. But many musicians don’t know that.

Session bassist Eli Beaird said his W-2 work makes up only about 10 per cent of his income, but it allowed him to apply for unemployme­nt through the state system. He hasn’t received anything yet, but the system shows him as eligible for US$50 ($83) per week in unemployme­nt benefits. That’s far short of the state’s US$275 weekly maximum, which is what he would likely receive if he could base his benefits off his contractor work.

Fortunatel­y, anyone receiving unemployme­nt from traditiona­l or non-traditiona­l work is also eligible for a US$600 per week coronaviru­s supplement, although Beaird hasn’t received that either.

Beaird said he is lucky to earn most of his income from recording, which will probably bounce back more quickly than performing.

“Live music sounds terrifying right now,” he said.

He has friends who tour with country star Miranda Lambert.

“When’s the next time any of us thinks it’s going to be safe to put 40,000 people in a room together?”

The state started distributi­ng benefits to the self-employed, independen­t contractor­s and gig workers last week and most should have their benefits by this week, but Poulton said at the weekend that he still wasn’t finding himself in the state’s system.

Poulton lives with his girlfriend and their son and says they have enough money to meet expenses for about a month.

 ?? Photo / Getty Images ?? Nashville's Broadway used to be a thriving venue for musicians.
Photo / Getty Images Nashville's Broadway used to be a thriving venue for musicians.

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