The New Zealand Herald

THIS IS NOT THE END OF FASHION

Why we will dress up again

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It is a truth that may be hard to imagine in a world devastated by illness and economic insecurity, riven by racism and unrest, but we will get dressed again.

Dressed not for the anonymity of the hospital or the essential workforce, the heat and heartbreak of the protest, the anomie of the supermarke­t or the park, but for the next stage catharsis. Capital D Dressed. It is both history and human nature.

“We will come out of this, like we come out of a war,” said Li Edelkoort, a trend forecaster. “The buildings are still there, but everything is in ruins. We will want two things: security and to dance.

“We will be aching for something new, to refresh our personalit­ies,” she said. “Eccentric clothes, romantic clothes.”

And that is why, after months in which the death of fashion was proclaimed loudly and regularly, a week when it was once again forced to confront its own role in preserving inequality, the motor of the industry has begun to shift into gear once more, in Europe and Asia if not yet in the United States, where stores remain nailed shut.

Thus far, there has been a lot of focus on the “system”. A lot of anguish about the need for change and angst over shopping. Will anyone ever want to do it again?

It’s the wrong question. What we should be asking is: When we re-engage with a world pockmarked by pain, and see one another — from more than just the shoulders up — what will we want to wear?

It sounds ridiculous: Who cares what we will wear when there has been so much tragedy and economic destructio­n, when old wounds left to fester have been gashed open once again? But the root of that question is as cyclical as history: What will our post-crisis identities look like?

The Question of Clothes

What will we want our clothes to telegraph about who we have become, and what these complicate­d experience­s have meant? It is the answers to those questions that will pull us into stores again. It is the answers to those questions that will get factories humming again — much more so than interim safety precaution­s or the changes in fashion shows and clothing deliveries currently being mooted by industry insiders.

Not that there’s anything wrong with those changes; many are laudable, if still in draft form. The fashion circus is a creaky circus and in need of an update — not to mention even more meaningful grappling with race and representa­tion in hiring and supply chains. Shows will be entirely digital at least until September, if they happen at all this year. (Many designers — Dries Van Noten is one — think not.) The British Fashion Council and the Council of Fashion Designers of America together published a statement effectivel­y urging an end to the travelling pre-collection extravagan­zas.

“Open letters” to the industry have been issued, signed by a variety of retailers and mostly independen­t designers, pledging allegiance to a “right-seasoning” of store deliveries so that coats are sold when it is cold, bathing suits when it is warm, and sales take place after the big gift-giving seasons, not before.

And speaking of stores: They are reopening (or were, until they became fearful of damage from the protests), with hand sanitiser stations, social distancing, plexiglass protection and regular disinfecti­ng. Still, the retail bankruptci­es keep coming, the numbers get worse and worse.

 ?? Photos / Getty Images ?? FORWARD THINKING: French designer Guy Laroche proposed a streamline­d vision of the future with his minimalist, brightly coloured tailoring from his autumn/winter 1972 collection.
Photos / Getty Images FORWARD THINKING: French designer Guy Laroche proposed a streamline­d vision of the future with his minimalist, brightly coloured tailoring from his autumn/winter 1972 collection.

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