The New Zealand Herald

Morrison adds strings to his bow with grace and gusto

-

Perhaps it was inevitable that Auckland Philharmon­ia Orchestra’s showcase of minor masters last week would be followed by an evening of bona fide masterpiec­es in Brahms’ Violin Concerto and Schubert’s great C major Symphony.

Giordano Bellincamp­i meticulous­ly laid out Brahms’ rich array of themes, priming us for the soloist’s dramatic entry. Violinist Benjamin Morrison had dispensed lashings of Viennese cream with Korngold a fortnight ago, and immediatel­y proved even more impressive in what, for some, is the greatest of all violin concertos.

He unerringly navigated what might have been a technical obstacle course, culminatin­g in a cadenza that, to my ears, took the classic Joachim cadenza as a starting point for even more virtuosic revelation­s.

Yet, within this vast movement, slivers of exquisite tenderness hinted at a heart-melting Adagio to come, a movement graced by the elegantly poised dialogues of soloist and orchestral colleagues.

In the sheer gusto of Brahms’ Hungarian-styled finale, one might have imagined Morrison and Bellincamp­i daring one another to further musical feats, culminatin­g in a spectacula­r tie.

After such simpatico ensemble work the encore was no surprise and Morrison shared it with three string players, delivering what sounded like a rather jolly Celtic reel in the form of Rune Tonsgaard Sorensen’s Shine you no more.

After the interval, the incisive Bellincamp­i ensured the “heavenly length” of Schubert’s final symphony, famously praised by Schumann, did not outstay its welcome.

Completed just months before the composer’s untimely death, this work is a bridge between Beethoven and Mahler in its massive time scale and bold colours. Artless simplicity sits alongside the bold and pungent in a piece dismissed by one contempora­ry critic as a “skirmish of instrument­s”.

Yet this very skirmish, from Schubert’s carefully measured opening pages through jaunty marches and a rushing scherzo to the primal blast of its finale, is what this score is all about. Tonight the APO caught it beautifull­y.

 ?? Photo / Adrian Malloch ?? Benjamin Morrison and conductor Giordano Bellincamp­i.
Photo / Adrian Malloch Benjamin Morrison and conductor Giordano Bellincamp­i.

Newspapers in English

Newspapers from New Zealand