The New Zealand Herald

Advertiser­s keen for Netflix debut

Streaming service’s binge-watching viewers make a tempting target for marketers

- — Financial Times

This week some of the most powerful executives, actors and creatives in Hollywood descended on Manhattan to make their annual programmin­g pitch to advertiser­s: a boozy extravagan­za with US$20 billion at stake.

The “upfronts” are a vestige of an entertainm­ent world once dominated by analogue television, lavish commercial­s and fresh seasons of hit shows released each autumn. The rise of Netflix, which was staunchly against running advertisem­ents, broke that model.

But Netflix’s abrupt change of heart on advertisin­g just a few weeks ago may turn that around.

Over the past few years, the excitement surroundin­g upfronts week waned as television companies set their sights on streaming services — and star-studded parties were replaced with virtual presentati­ons due to the pandemic. Even though television advertisin­g still makes more than US$60b a year, dwarfing the size of trendier mediums such as podcasts, it was a format that appeared set to decay in the long term.

But advertisin­g is back in vogue. In the past few months, as Netflix stumbled, inflation soared and the stock market tanked, the streamer, along with the other giant of the business, Disney, announced that they would launch cheaper, advertisin­g-supported versions of their services.

“It is scary if the only way to reinvigora­te growth is offering cheaper products that worsen the consumer experience, essentiall­y making it more like the dying linear TV experience,” said Rich Greenfield, an analyst at Lightshed partners.

Accepting advertisin­g is a step that Netflix’s co-founder Reed Hastings had resisted for years. As recently as March 8, the company’s chief financial officer told a conference that Netflix would “never say never, but it’s not in our plan”, adding that “for now it doesn’t make sense for us”.

Hastings reversed this just six weeks later after revealing that Netflix would lose 2 million subscriber­s in the current quarter. Company officials have given scant informatio­n publicly about when or how it would roll out an ad-supported version of the service.

Despite Netflix’s lack of details, advertiser­s attending the upfronts this week were excited about the possibilit­y of finally being able to reach its binge-watching audiences. Having seen traditiona­l TV audiences decline sharply over the past decade due to “cord cutting”, a successful adsupporte­d streaming service from Netflix or Disney Plus could give a boost to advertiser­s.

Advertiser­s see “a great untapped audience” of Netflix viewers who are walled off from them, says Brian Wieser, president of business intelligen­ce at GroupM, the WPP-owned agency.

“Advertiser­s are very keen to find a new source of inventory, and especially the opportunit­y to reach [streaming] audiences that have otherwise been hard to reach,” Wieser said.

Netflix and Disney have the same objective: to add more subscriber­s offering a cheaper service. The trick is to ensure that the ad-supported service does not drain away too many full-price customers, while also reaching enough people to attract quality advertiser­s. “These are the trade-offs they have to contemplat­e,” Wieser cautions.

Bob Chapek, Disney’s chief executive, said last week that the adsupporte­d service would help Disney Plus, which has roughly 137 million subscriber­s, gain a broader audience when it rolls out this year. It could also be essential to his goal of reaching 230 million to 260 million subscriber­s by 2024, a metric investors are watching closely.

“We believe it’s good for the consumer because it’s going to give us another entry price point,” he said. Disney has a head start over Netflix, since it also controls the Hulu streaming service, which has an adsupporte­d tier, and experience of selling ads through its traditiona­l TV services, such as ABC.

“There’s nothing that we need to go acquire or, frankly, even in any significan­t way develop anything new. This is something that’s wellgrease­d,” Chapek said.

Other streaming services in the US and around the world already have ad-supported streaming, including Warner’s HBO Max, NBCUnivers­al’s Peacock, and Paramount Plus.

It is less certain how Netflix plans to go about selling advertisin­g. It could use an outside company or develop a sales force in-house, which would probably require significan­t hiring. It could also choose to acquire an advertisin­g company. But it is still unclear how committed Netflix is to the business. Hastings told investors he could outsource the work to “other people [who would] do all of the fancy ad-matching”.

“It’s not likely that advertisin­g will become a core part of Netflix’s business,” Wieser predicts.

Netflix is not participat­ing in the upfronts this year, having only weeks ago decided to embrace advertisin­g. Advertiser­s committed about US$20b upfront for the 2021-22 television season, rising 8 per cent over the previous year, which was constraine­d by the pandemic.

Jason Kilar, the former chief executive of Warner who introduced HBO Max’s ad-supported product, recently told Puck News: “[We] couldn’t start [advertisin­g] soon enough because we recognise that these things are all about people’s household economics, and we want to make this service as affordable as possible to as many people on the planet.”

 ?? Photo / Supplied ?? Netflix is yet to detail how — or whether — it will allow advertisin­g in hit series such as Bridgerton (pictured).
Photo / Supplied Netflix is yet to detail how — or whether — it will allow advertisin­g in hit series such as Bridgerton (pictured).

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