The Post

SINGERWHO STRUCK GOLD

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Howard Andrew Williams,

ANDY WILLIAMS was one of the last great American crooners who made Moon River his theme song and had huge hits in the 1960s and 1970s with smooth renditions of such songbook standards as Can’t Help Falling In Love and Days Of Wine And Roses.

In a career spanning more than half a century he recorded 18 gold albums and hosted his own popular television show.

Although he enjoyed a reputation as the acme of clean-cut American homeliness, and possessed a voice that was compared to warm chocolate sauce, Williams also featured regularly in gossip columns after the end of his first marriage on account of his remarkable tally of attractive girlfriend­s.

They ranged from unknown British starlets through to the sister of stuntman Evil Knievel and Ethel Kennedy, widow of the assassinat­ed American Senator Robert Kennedy, a close friend. In 1968 Williams had sung at Mr Kennedy’s funeral. Such was his notoriety that in 1973, two years after his last television spectacula­r had been aired in Britain, Williams complained of being blackballe­d by the BBC because of his private life.

Andy Williams first found fame in the early 1960s, just ahead of the Beatles craze. When he sang Henry Mancini and Johnny Mercer’s Moon River at the 1962 Oscars – it was the theme to the Audrey Hepburn film Breakfast at Tiffany’s and he considered it the greatest love song ever written – it quickly became his theme song (though he never scored a chart hit with it).

Williams followed up at the next year’s Oscars ceremony by winning another award with a second ManciniMer­cer classic, Days Of Wine And Roses.

In Britain he also met with Top 10 success, charting several times with such hits as Can’t Get Used To Losing You (1963), Almost There (1965), Home Lovin’ Man (1970) and Solitaire (1973).

He was also one of the wealthiest men in showbusine­ss. Financiall­y astute – thanks, he said, to his father, who helped him with his investment­s – he made US$30 million alone from a US$250,000 investment in the Phoenix Suns basketball team. On the other hand, he lost about US$5m when the property bubble burst in his adopted home town of Branson, Missouri.

His own publishing company owned the rights to everything Williams wrote for his famous television specials, with one particular seasonal song – The Most Wonderful Time Of The Year – becoming what his lawyer called “a cash cow”.

Howard Andrew Williams was born in Wall Lake, Iowa, the youngest son of a railway postal clerk. His father was also an amateur musician, who formed his four sons into a choir for the local Presbyteri­an church. They were rated so highly that when Andy was 8 the four Williams Brothers made their profession­al debut on a radio station at Des Moines.

This led to engagement­s in Chicago, Cincinnati and finally Los Angeles, where the quartet was signed to the MGM film studio. But the brothers were forced to disband when the two eldest were drafted for military service.

When the brothers re-formed, they created a nightclub act with the comedienne Kay Thompson, touring America and Europe until 1953, when they split for good.

Striking out on his own proved a lonely and financiall­y precarious experience for Andy; before striking success he endured such hardship that at one point he was sharing tins of pet food with his dog. “It didn’t taste that bad when you heated it up, actually,” he recalled, “just like meat and gravy.”

The following year Williams went to New York to market his first solo record and successful­ly auditioned for a twoweek spot on the Steve Allen Tonight show. In the event, he stayed for 21⁄ years, winning audiences with his warm voice and disarming smile.

At the same time he signed a record contract and released a string of songs, three of which, Canadian Sunset, The Hawaiian Wedding Song and The Village of St Bernadette, each sold a million copies.

Further television successes followed, culminatin­g in the summer of 1959 with his own one-hour variety programme The Andy Williams Show, for CBS. Thereafter he concentrat­ed on hour-long television specials, returning to the nightclub circuit with his solo act and releasing albums of easy-listening songs which did well despite the onslaught of rock ‘n’ roll.

During the 1960s Williams signed what was then the biggest recording contract, and by 1973 had earned 17 gold albums. His saccharine Christmas specials, which appeared regularly until 1974 and intermitte­ntly thereafter, were among the most popular of their kind.

In the early 1990s Williams opened his own theatre at Branson, Missouri: the 2000-seat Andy Williams Moon River Theatre, where he appeared up to a dozen times a week between September and December. In 1999 his recording of Music To Watch Girls By (1967) was a surprise hit in Britain when it climbed to No 9 in the charts after featuring in a Fiat Punto commercial. The single’s success was followed by a sell-out British tour. In 2002 he teamed up with the British actress Denise van Outen in a duet on Can’t Take My Eyes Off You, his solo hit from 1968, which 30 years later was revived to promote another car in Britain, the Peugeot 306.

Williams’ homes in Missouri and California featured in Architectu­ral Digest, and he was a noted collector of art. A keen golfer, he hosted a major tournament in San Diego for many years.

He enjoyed a clean-cut reputation and was modest about his worldwide success. He said he ignored rock ‘n’ roll “because I think ballads are more welcome on TV”. His one-time singing partner, Kay Thompson, explained his enduring appeal, saying that “stars like Andy, with a plain niceness about them, are the ones that last”.

 ?? Photo: REUTERS ?? Nice guy: Andy Williams won audiences with his warm voice and disarming smile.
Photo: REUTERS Nice guy: Andy Williams won audiences with his warm voice and disarming smile.

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