The Post

WHAT’S THE STORY?

How TV3’s new show measures up

- Jane Bowron

TV3’S new current affairs show Story kicked off going straight to the heart of the matter – the housing market – with an undercover actor posing as a property developer.

The thespian’s headless form revealed in more than one negotiatio­n with a real estate agent that a dodgy deal between the agent and the developer can undermine the value of an auction.

We watched host Heather du Plessis-Allan in charge of this yarn do the classic doorknock with the fuzzy mike thingee, only to get the door slammed in her face – always good television – as she pursued errant agents and later put the Ray White Real Estate boss through his paces.

It was a reasonable start as Duncan Garner, in his customary talkback vernacular, stated the obvious out of the corner of his mouth to his feisty offsider: ‘‘They didn’t like you very much, did they?’’

The energy might have been pumped, but the music was downright funereal, something you’d get etherised to pre-op, and the set looked like an abstract painting of a raspberry fool.

With the trope of doorknocki­ng out of the way, it was time for the next cliche – an interview with a blacked-out man who wanted his identity hidden as we heard a voice that sounded as if he was speaking from the gravelled bottom of a fish tank.

Garner interviewe­d the whistle-blowing security guard who worked for a private security firm and ascertaine­d that his cohorts’ minimum wage of $14.75 made them ripe for bribes by manipulati­ve violent criminals.

The taxpaying public ‘‘needed to know’’, as we witnessed how easy it was to cut off an ankle bracelet with $2 scissors and $3.60 pliers (the devil’s in the pricing details, apparently).

Then the aptly named Correction­s spokesman – one Jeremy Lightfoot (a satirist couldn’t have named him better) – appeared maintainin­g he had full confidence in electronic bracelets and the present system as Garner, obviously having trouble controllin­g his innuendo, repeated witheringl­y ‘‘full confidence . . .’’ as the recent drama of sex offender Daniel Livingston­e’s escape was revisited.

A dull piece of entertainm­ent ‘‘lite’’ on online gaming followed, with the show ending with a modicum of banter as opposed to the extended editoriali­sing waffle of Seven Sharp. Sure, no new journalist­ic frontiers were forged, but the knitting was stuck to and the yarns were briskly executed, and the hosts looked well oiled, in the nicest possible way of course.

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