The Post

GALLIPOLI ARTWORK SMASHED IN ‘MALICIOUS’ ATTACK

- JOEL MAXWELL

IT TOOK years to plan and cost $20,000 to build, but an art installati­on for Wellington’s Gallipoli dead lasted less than a fortnight before being ‘‘ripped apart’’ by vandals.

The Remembranc­e installati­on was launched on Armistice Day in Karori’s Appleton Park, but will now be taken down today.

Creator Chris Bennewith, an associate professor at Massey University, said he was almost in tears on Sunday when he discovered the ‘‘malicious attack’’ on his installati­on.

The installati­on needed more than a kilometre of trenching for cabling to power 860 individual LED posts – one for each of the city’s Gallipoli dead.

‘‘They pulled heads off the light poles, they pulled the poles out, poles had been taken, some had been snapped in two, they’d broken into the powerbox,’’ Bennewith said.

The damage was irreparabl­e, and the attack left the installati­on unfit to be viewed.

‘‘It was exceptiona­lly emotional for me, I have to admit I was close to tears as I was walking round, picking up the pieces.’’

He said it took about two years to plan and find the money for the exhibition, which was funded with $10,000 from Wellington City Council, with the remainder coming from Massey.

Before installing the piece he and others in his team had considered the risk of vandalism to the relatively delicate components, which ended up ‘‘torn out, ripped apart and smashed up’’.

‘‘I thought given the nature of the work, what it was representi­ng, particular­ly for Wellington, that people would have some respect. But obviously not.’’

Each of the sticks was topped with globes that glowed red in the evening, and were controlled by chips and technology similar to ones used by iPhones that adjust light levels when tilted by the wind, or people walking in the field of ‘‘poppies’’.

The grid-like pattern of the installati­on was similar to the layout of graves in war cemeteries throughout Europe and in Turkey.

The attack on the installati­on so appalled Returned and Services Associatio­n chief executive David Moger that he called out the vandals, saying he would meet them personally.

‘‘I would be prepared to meet with them to help them understand what these memorials are for. To help them understand the deep sense of nationhood that resides in these memorials. And to help them find a way to help them repair some of the damage they’ve done.’’

He could ‘‘only hope’’ that it was a thoughtles­s, spur-of-themoment act of vandalism. ‘‘I can’t believe that anybody would go out to do it deliberate­ly, to dishonour and disrespect those who have given their lives.’’

Ward councillor Andy Foster said he was shocked by news of the vandalism, which he said was disgracefu­l.

‘‘Why people destroy things, I don’t know. It doesn’t make any sense to me whatsoever.’’

The exhibition lasted 10 days after it was first lit up on Armistice Day, the commemorat­ion that marked the end of World War I.

RSA national board member for Wellington Glover Anderson said he was devastated by news of the vandalism.

‘‘Especially when it’s recognisin­g veterans: each one has given their life in Gallipoli to give them [the vandals] the life that they’ve got here.’’

 ?? Photos: MAARTEN HOLL/FAIRFAX NZ ?? Artist Chris Bennewith among the tattered Remembranc­e installati­on in Karori’s Appleton Park.
Photos: MAARTEN HOLL/FAIRFAX NZ Artist Chris Bennewith among the tattered Remembranc­e installati­on in Karori’s Appleton Park.
 ??  ?? Hannah Priest, 11, from Brooklyn is bathed in the glow of the lights before vandals destroyed the installati­on.
Hannah Priest, 11, from Brooklyn is bathed in the glow of the lights before vandals destroyed the installati­on.

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