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FERTILE GROUND

News Stonehenge theory

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BRITAIN: Stonehenge was built as part of a fertility cult with the stones positioned to cast phallic shadows inside the monument during Midsummer, a new study suggests.

Prof Terence Meaden, an archaeolog­ist, examined nearly 20 stone circles throughout Britain, filming their changing silhouette­s during sunrise on ritually significan­t dates of the year.

Experts already knew that the 6000-year-old Neolithic monuments were aligned on the solstices, but it is the first time it has been suggested that the orientatio­n of the stones was specifical­ly designed to create a ‘‘moving spectacle’’.

Meaden said the builders of Stonehenge, in Wilts, and other megalithic circles, had created a ‘‘play without words’’ in which one special stone cast a growing phallic shadow which penetrated the egg-shaped monument before hitting a central ‘‘female’’ stone symbolisin­g fertility and abundance.

The circular shape of the monuments allowed the same ‘‘play’’ to recur at important dates in the Neolithic farming calendar, he believes. ‘‘My basic discovery is that many stone circles were built at a time of a fertility religion, and that stones were positioned such that at sunrise on auspicious dates of the year phallic shadows would be cast from a male-symbolic stone to a waiting female-symbolic stone,’’ said Meaden.

‘‘At Stonehenge on days of clear sunrise the shadow of the externally sited phallic Heel Stone penetrates the great monument in the week of the summer solstice and finally arrives at the recumbent Altar Stone, which is symbolical­ly female. Devised in the late Neolithic this could be a dramatic visual representa­tion of the cosmic consummati­on of the gods between a sky father and the earth mother goddess.’’

Meaden also discovered that a similar light show happens at Drombeg Stone Circle in County Cork where he spent 120 days photograph­ing sunrise at the site, over five years. He found that the ‘‘fertility play’’ occurs on eight dates throughout the year, starting on the winter solstice.

However other experts were less convinced by the theory. Barney Harris, an archaeolog­y doctoral student from UCL said: ‘‘If it was so important to cast shadows back into the henge then why not do it during the midwinter sunset as well as at the midsummer sunrise?’’

Prof Mike Paker-Pearson, also of UCL, said: ‘‘Why would phalli have lintels on top? It’s just bonkers.’’ The research is published in the Journal of Lithic Studies.

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 ??  ?? Archaeolog­ist Terence Meaden believes Stonehenge was designed to create a ‘‘moving spectacle’’ of shadows.
Archaeolog­ist Terence Meaden believes Stonehenge was designed to create a ‘‘moving spectacle’’ of shadows.

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