The Post

NZ leader in community based archiving projects

- Paul Meredith – Paul Meredith is Pou Ārahi – Deputy Chief Executive, Māori at Ngā Taonga Sound & Vision

The consensus among audiovisua­l archives internatio­nally is that material recorded on magnetic tape during the 20th century is in danger of being lost within the next few years. This is due to unavoidabl­e deteriorat­ion of video and audio tape over time, as well as a lack of playback equipment and the retirement of the last generation of technician­s. It’s a massive problem; one that many archives, including Ngā Taonga, are racing to address by way of digital preservati­on.

One of several projects the archive has worked on to save endangered media is ‘Rokirokiti­a’, a reo Māori word that can be translated as ‘to preserve or care for’. Rokirokiti­a took a unique approach to the problem of audiovisua­l preservati­on at a community level. Māori community groups across Aotearoa have been provided with kits to digitise, store and catalogue their own magnetic tape recordings locally, rather than relying on profession­al archivists.

The primary goal was to prevent knowledge from being lost by transferri­ng it from analogue to digital formats.

This way, invaluable recordings that contain mātauranga Māori are preserved and can be more easily accessed by future generation­s.

The funding for this project came from Manatū Taonga – Ministry for Culture and Heritage’s Te Awe Kōtuku Fund. This Covid-19 recovery funding was specifical­ly put aside during the pandemic for stimulatin­g local industries and conserving mātauranga Māori.

The concept was developed and pitched by Ngā Taonga and a small team worked on Rokirokiti­a for two years, from 2021 to 2023. During this time, they built and distribute­d 50 mobile digitisati­on field kits to selected community groups nationwide at no cost to them.

Each kit contained a mix of new or refurbishe­d audiovisua­l hardware, digitisati­on software, cleaning materials and instructio­ns for use. Digitisati­on equipment in the kits was housed in an 84kg racked road case on castors, like those used for stage production­s or films.

The kits were designed in Wellington, constructe­d in Cambridge and equipped with a combinatio­n of new and refurbishe­d video and cassette players, many sourced via TradeMe.

Community ‘super users’ were trained to use the field kits, including guidance on handling, cleaning and storing physical media, converting recordings to .wav and MP4, and creating technical metadata.

The project team also created a comprehens­ive 30-page training handbook, and a matching set of instructio­nal videos. All digitised material will be stored locally by the original owners, not at the archive. Preservati­on priorities are set by communitie­s, who are also able to upgrade and replace worn out parts of their field kits themselves.

Initial results have been really positive. Groups have reported back to us that the kits are working well and they’ve been able to save hundreds of recordings without further help from the Archive. One iwi has already digitised more than 400 videos that would otherwise have been lost to history.

The Rokirokiti­a project finished in mid2023, after building and distributi­ng 50 kits and delivering about 40 training workshops.

While Ngā Taonga has no immediate plans to distribute any more kits, the model is there if further funding becomes available. Community-based digitisati­on offers one potential solution to the urgent problem of magnetic media obsolescen­ce. The archive is now sharing what it learned from this unpreceden­ted initiative with internatio­nal colleagues.

 ?? ?? A Rokirokiti­a field kit in use at Te Awhina Marae.
A Rokirokiti­a field kit in use at Te Awhina Marae.

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