The Post

Access to live arts

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Access to live art at BATS is going even further. Those who are d/Deaf, blind or have low vision, or who can’t physically make it into the theatre, can now enjoy more live art via live streaming, captioning and audio descriptio­n.

Funding from the ANZ Staff Foundation will enable BATS to work with up to 10 production­s between May and July this year. BATS wants to do better to support disabled artists and their community, not only increasing accessibil­ity to creative work but by championin­g work made by and for d/Deaf and disabled communitie­s.

BATS chief executive Jonty Hendry says theatre “has the power to unite and uplift, and it is our responsibi­lity as artists to ensure that the live theatre experience is accessible to everyone”. The BATS Digital Delivery had shown that live theatre could be inclusive to everyone given the right equipment, specialist skills and support.

Helen Vivienne Fletcher, a disabled Wellington-based writer and theatre artist, will be bringing her production Confession­s of a Sleepwalki­ng Insomniac to the BATS stage in June. The show will not only have a New Zealand Sign Language Interprete­r but live streaming with captioning will also be included.

“The disability community is a close-knit group. As a disabled theatre practition­er, it can be really hard knowing that your production might exclude your friends,’’ Fletcher said. ‘‘I’m so excited to create this show knowing that everyone will be able to attend.”

BATS will be including some audio described performanc­es for blind and low vision audience members. The audio describer narrates what’s happening on stage and it is transmitte­d to wireless receivers and headsets worn by audience members.

 ?? ?? Helen Vivienne Fletcher with a service dog.
Helen Vivienne Fletcher with a service dog.

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