The Press

A Len Lye for Christchur­ch might be possible

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In his article on the new Len Lye Centre in New Plymouth (Aug 5), Chris Moore laments that there are no public sculptures of this artist in Christchur­ch, the city of his birth. I agree with Chris and maybe a work can be built for the city one day.

Lye’s presence, nonetheles­s, is alive and well in Christchur­ch. The Len Lye Foundation has a long standing and productive relationsh­ip with the School of Engineerin­g at the University of Canterbury.

For some years now, Dr Shayne Gooch has offered a programme for engineerin­g students to study Lye’s kinetic sculptures and develop and build them to the size the artist intended. There are currently two works being developed and hopefully, one of these, built by PhD candidate Alex O’Keefe, will be shown in the city later this year.

Lye was fascinated with ‘‘movement’’ as an art form and he first experiment­ed with film, in the 1930s, as an expression of this. His films have been shown here in film festivals and championed by local film ‘‘buffs’’ like Dr Ryan Reynolds (Theatre and Film Studies, University of Canterbury, chairman of Gap Filler). Others have acknowledg­ed his films in their own work.

Local jazz musician Harry Harrison (CPIT School of Jazz) has produced and performed music inspired by New Zealand artists Max Gimblett, Neil Dawson, Bill Hammond and Len Lye’s film, Tusalava.

The Christchur­ch Art Gallery has previously shown Lye’s work both in the gallery and in Hagley Park and the gallery continues to be supportive of Lye and the work of the foundation.

A public sculpture may be possible in the future. In the meantime, visit the Len Lye Centre in New Plymouth if you are up that way.

EVAN WEBB Director, Len Lye Foundation Mairehau

To what depths?

On Tuesday, I perused The Press front page in deep dismay. A brutal bashing for speaking French, the person most deeply concerned in the Art Gallery repair excluded from knowledge of the process, Dunedin celebratin­g its history with open day at a brothel (turns out it’s a ‘‘cool’’ heritage building). To what depths are we sinking?

But . . . the foreigner was always fair game, bureaucrat­ic arrogance and ineptitude are as old as bureaucrac­y itself, the profession practised at La Maison has long been called the oldest. It’s not a case of falling below but of not rising above.

Who more unregenera­te than one who wonders if the House of Pleasure is offering a special open day rate to pleasure seekers who frequent it? Not in the morning, of course.

MM DOHERTY Papanui

Rank language

Last weekend I took my 11-year-old daughter to the Once on Chunuk Bair production at Wigram. While it was extremely well acted, and a moving portrayal of the tragic events endured by the Anzacs, I was disgusted by the over use of profane language and in particular the incessant blasphemy.

While I accept that soldiers in a war setting undoubtedl­y swear, I don’t accept that the level of blasphemy aired was either necessary or even accurate to the historical context, bearing in mind that most New Zealanders 100 years ago were church-goers and would have shown more respect for the Lord’s name.

Additional­ly I was disappoint­ed that with this level of profanity, that there was no advisory note to caution parents who might take young children.

The promoters of this otherwise excellent production have erred - children should not be subjected to such rank language.

PAT BARRETT Casebrook

Judge’s decision

How very caring of Dr Michael Gousmett to be considerin­g the Anglican Church’s finances (Aug 6). He might recall, however, telling North and South in relation to the cathedral that their accounts showed the self-described ‘‘not wealthy’’ CPT had $180m in assets with $40m from insurance and other money to come.

He has overlooked that without the court actions by GCBT, our historic heart would have long been demolished. GCBT magnanimou­sly offered, in effect, to fund the restoratio­n: immediate $7m for stabilisat­ion; fund raising management, plentiful pro bono and reduced rates work. The restoratio­n could have been half finished by now if the bishop and CPT had not been such intransige­nt and cavalier ‘‘caretakers’’ of this major city treasure.

The judge’s decision that the church’s contrite return of insurance funds, illegally diverted to the transition­al cathedral, was in itself sufficient penalty might well have prompted Michael to praise rather than patronise GCBT’s extremely unselfish concern for this city’s identity in the face of apparently insuperabl­e legal odds.

ROSS GRAY Fendalton

Sumner skate park

If the majority vote was for the Sumner skate park, then doesn’t that mean the skate park gets built? How different is this to voting for a political party when the majority vote determines the party in power?

How can a member of the public sue a council for predicted losses and yet the general public can’t sue the Government for making bad decision that affect us all?

I say, let the public vote on all things that affect us including a proposed tall building on the corner of Mariner and The Esplanade. The Sumner skate park is for beginners to learn on and can be managed effectivel­y with some community collaborat­ion. The skate park surely can’t contribute much more noise than the roaring sea and cars cruising past.

I personally think the location is perfect and complement­s the Christchur­ch Coastal Pathway.

MARNIE KENT Sumner

Deterrent charge

Perhaps it is time to fit electronic monitoring bracelets with a small explosive charge just large enough to provide a deterrent to criminals who currently appear to consider them to be a joke.

VIC SMITH Shirley

 ??  ?? Sculptor and artist Len Lye. Evan Webb of the Len Lye Foundation hopes one of his sculptures will one day grace a public space in Christchur­ch.
Sculptor and artist Len Lye. Evan Webb of the Len Lye Foundation hopes one of his sculptures will one day grace a public space in Christchur­ch.

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