The Press

A severe case of sequelitis on show

Combat Wombat: Back 2 Back (PG, 81 mins) Directed by Ricard Cusso, Tania Vincent Reviewed by James Croot

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In her six months as Combat Wombat, Maggie Diggins (Deborah Mailman) feels like she’s made a real difference to the lives of Sanctuary City’s residents. However, the latest attembpt by her sidekick, the Galant Glider’s – aka Sweetie (Ed Oxenbould) – to streamline and maximise their do-gooding may have gone a step too far. His Heroes OnDemand app encourages users to call on them anywhere, anytime – for any reason.

Now the dynamic duo spend every waking moment plunging portable toilets, picking up dinner orders and helping elderly turtles with their shopping.

Distracted by “pointless, idiotic, nonemergen­cies”, Maggie worries that in providing free childcare and “babysittin­g’ delinquent­s like teen skink Skylar (Elizabeth Cullen), they’ll miss something far more important. That fear is immediatel­y borne out when a wave of geriatric crime washes over the city. Nine serious offences in 24 hours – and they’ve all been caught on camera.

Determined to find out if there’s a connection between them, Maggie decides that she, Sweetie and Skylar should all go undercover at the place where all the older citizens gather and go to gossip – the Sanctuary City Bowls Club. While still retaining the entertainm­ent value and surprising­ly adult themes of the original (once again we have a major character driven by grief), Combat Wombat doesn’t have quite the same impact second time around.

Returning director Ricard Cusso and his Scarygirl co-helmer Tania Vincent attempt to recapture the first film’s sometimes anarchic spirit, but Back 2 Back definitely suffers from a severe case of sequelitis (where bigger doesn’t always mean better).

The addition of next-gen Skylar takes away from the delightful Maggie-Sweetie dynamic, while tech guru Lenny Glick’s (a virtually unrecognis­able David Wenham) misguided/ nefarious plans are straight out of Despicable Me/The Incredible­s/Megamind villainy 101 (even if they come tinged with a little more pathos than usual) with a touch of The Matrix thrown in (something that’s only likely to leave littler viewers confused).

Combat Wombat: Back 2 Back is screening in select cinemas nationwide.

 ?? ?? Combat Wombat: Back 2 Back proves that going bigger doesn’t necessaril­y mean better.
Combat Wombat: Back 2 Back proves that going bigger doesn’t necessaril­y mean better.

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