The Timaru Herald

From embarrassm­ent To ecstasy for Osaka

- Howard Fendrich

After one errant forehand in the first set of the US Open final, Naomi Osaka looked at her coach in the mostly empty Arthur Ashe Stadium stands with palms up, as if to say, ‘‘What the heck is happening?’’

In response to another wayward forehand against Victoria Azarenka seconds later, Osaka chucked her racket. It spun a bit and rattled against the court.

Surprising­ly off-kilter in the early going in New York yesterday, Osaka kept missing shots and digging herself a deficit. Until, suddenly, she lifted her game, and Azarenka couldn’t sustain her start. By the end, Osaka pulled away to a 1-6 6-3 6-3 comeback victory for her second US Open championsh­ip and third grand slam title overall.

‘‘For me, I just thought,’’ said Osaka, who trailed by a set and a break, ‘‘it would be very embarrassi­ng to lose this in an under an hour.’’

This, then, is what she told herself with a white towel draped over her head at a changeover when things looked bleakest: ‘‘I just have to try as hard as I can and stop having a really bad attitude.’’

It worked. A quarter-century had passed since a woman who lost the first set of a US Open final wound up winning: In 1994, Arantxa Sanchez Vicario did it against Steffi Graf.

Osaka, a 22-year-old born in Japan and now based in the United States, arrived for the final wearing a mask with the name of Tamir Rice, a black 12-year-old boy killed by police in Ohio in 2014. Calling attention to racial injustice, Osaka honoured other Black victims of violence throughout the US Open with masks honouring Breonna Taylor, Elijah McClain, Trayvon Martin, Ahmaud Arbery, George Floyd and Philando Castile.

‘‘The point,’’ Osaka explained, ‘‘is to make people start talking.’’

Last month, Osaka refused to compete after the police shooting of a black man, Jacob Blake, in Wisconsin – she said she would withdraw from her semifinal at the Western & Southern Open, although decided to play after the tournament took a full day off in solidarity.

Osaka and her coach, Wim Fissette, have said they think the off-court activism has helped her energy and mindset in matches.

So perhaps it was no coincidenc­e that this win over Azarenka, a 31-year-old from Belarus also seeking a third grand slam title but first in seven years, made Osaka 11-0 since tennis resumed after its hiatus because of the Covid-19 outbreak.

Osaka added to her trophies from the 2018 US Open — earned with a brilliant performanc­e in a memorably controvers­ial and chaotic final against Serena Williams — and 2019 Australian Open.

Azarenka carried an 11-match winning streak of her own into the match, including a stirring three-set victory over Williams in the semifinals, stopping the American’s bid for a 24th grand slam singles title.

This one was a back-and-forth affair. Even after Osaka surged ahead 4-1 in the third set, the outcome was unclear. She held four break points in the next game – convert any of those, and she would have served for the win at

5-1 – but Azarenka didn’t flinch.

Azarenka held there, somehow, and broke to get to 4-3, then stood and stretched during the ensuing changeover.

‘‘Had a little bit of a energy dip,’’ Azarenka said.

Osaka regained control, then covered her face when the final was over. ‘‘I actually don’t want to play you in more finals,’’ a smiling Osaka told Azarenka afterward. ‘‘I didn’t enjoy that.’’

The 23,000-plus seats in the main arena at Flushing Meadows were not entirely unclaimed, just mostly so – while fans were not allowed to attend because of the pandemic, dozens of people who worked at the tournament attended — and the cavernous place was not entirely silent, just mostly so.

‘‘It’s not easy times in the world right now, so I’m grateful

for the opportunit­y to play in front of millions of people watching on TV,’’ Azarenka said. ‘‘Unfortunat­ely, they’re not here.’’

Azarenka led early against Osaka, thanks to terrific returning and let-no-ball-by defence, stretching points until Osaka missed. And repeatedly miss, she did. The first set was over in a blink.

Azarenka broke early in the second set, too, to lead 2-0. The question shifted from ‘‘Who will win?’’ to ‘‘Might this be the most lopsided women’s final at the US Open since the profession­al era began in 1968?’’

No, Osaka quickly determined. She broke back to get on even terms, then again to go ahead 4-3 in the second set when Azarenka’s increasing miscues led to a wide backhand.

Here’s how Osaka transforme­d the match: She stepped closer to the baseline, redirectin­g shots more immediatel­y and forcefully. It didn’t help Azarenka that she didn’t maintain her form from the first set and began hitting the ball less stridently.

So much of this was about Osaka’s transforma­tion from shaky to sure-footed.

In the third set, Azarenka was the unsettled one, doublefaul­ting to set up break points, then netting a forehand to close a 17-stroke exchange to fall behind 3-1.

She would not go quietly, but Osaka went on to take the title.

‘‘I’m not necessaril­y disappoint­ed,’’ Azarenka said. ‘‘It’s just painful. It’s painful to lose.’’

‘‘I just have to try as hard as I can and stop having a really bad attitude.’’ Naomi Osaka explains her revival

 ?? GETTY IMAGES ?? Naomi Osaka arrived at the US Open final wearing a mask in support of Tamir Rice, a 12-year-old black boy killed by police in Ohio in 2014. She ended it prone on the court after a rollercoas­ter of a match against Victoria Azarenka, above.
GETTY IMAGES Naomi Osaka arrived at the US Open final wearing a mask in support of Tamir Rice, a 12-year-old black boy killed by police in Ohio in 2014. She ended it prone on the court after a rollercoas­ter of a match against Victoria Azarenka, above.
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 ??  ?? US Open staff were among the few allowed to watch the final in person from largely empty grandstand­s.
US Open staff were among the few allowed to watch the final in person from largely empty grandstand­s.

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