The Timaru Herald

Grief finds light in the land

Review Land (M, 89 mins) Directed by Robin Wright Reviewed by Graeme Tuckett ★★★★

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Any film that begins with The Staves’ achingly lovely interpreta­tion of Springstee­n’s I’m on Fire, effortless­ly transformi­ng an ode to carnal lust into a tale of loss and redemption, is probably destined to contain a few narrative delights and some hard-won insights into human sadness.

Land is a slight and quietly beautiful film. There is a distractin­g self-awareness visible here at times, but Robin Wright – making her feature directing debut after several episodes of House of Cards – mostly triumphs in this tale of big-city dweller going to seek consolatio­n and purpose in the remote American wilderness.

Wright’s Edee Mathis has suffered some unimaginab­le loss. Not just a partner, but perhaps also a child are gone.

When Edee breaks down to her sister and cries, ‘‘Why am I here?’’ we know she isn’t talking about any place in particular, but why she should even be alive.

Edee’s attempt to answer that question leads her to a remote cabin in the mountains of Wyoming.

Without adequate food, a clear way out, or any real idea of how to survive in the wilderness, Edee will, I guess, either survive or die trying. Edee seems ambivalent, almost disinteres­ted, in her own fate.

The whole ‘‘seeking existentia­l solace alone’’ genre has yielded films that run the gamut from tonedeaf to sublime.

But Land raises the stakes higher than most with the very credible possibilit­y that what we are witnessing here is a suicide in slow-motion.

That, as at least a possibilit­y behind Edee’s decision, is never really discounted, just gently bypassed, as a few other people eventually find their way into the narrative.

Land is a small movie painted on a vast canvas. In its best passages, this is a damn near transcende­nt tale of grief eventually finding the light.

And even in its most solipsisti­c moments, Wright’s direction, the startling cinematogr­aphy and the unfurling of Wright’s own resilience on screen are enough to power us through that admirably economical running time. Bravo.

 ??  ?? Robin Wright’s feature directoria­l debut Land isa small movie painted on a vast canvas.
Robin Wright’s feature directoria­l debut Land isa small movie painted on a vast canvas.

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