Waikato Times

Where is house that Jack built?

- CHRIS TROTTER

‘‘This is the house that greed built.’’ The house in question – a tumbledown shack – is the first in a series of five images. The others depict a working man down on his luck, a bloated capitalist, and the ‘‘Tory Press’’ (presented, delightful­ly, as a bellowing cow). The series ends with John A (Jack) Lee. Dressed as a carpenter, and positioned in front of one of his new ‘‘state houses’’, Lee’s caricature beams out of the pages of the March 11, 1937 edition of the Labour Party newspaper, The Standard. The caption beneath the caricature reads: ‘‘This is the man with the housing plan who’s queered the pitch of the man who waxed rich by fleecing the man who lived in the shack now pulled down by Jack and replaced by the house that Jack built.’’

Left-wing nostalgia? Of course. But The Standard cartoon tells us a lot about the first great state-driven effort to accommodat­e ill-housed and homeless New Zealanders, and raises some very thorny questions about the reluctant half-measures of 2017.

As unquestion­ably the biggest voter motivator of this year’s general election, ‘‘housing’’ should be driving National and Labour towards ever greater competitiv­e efforts. Their respective plans for housing the homeless and helping young people into their first home should be as imaginativ­e as they are comprehens­ive. After all, as The Standard cartoon attests, New Zealand has done it before. What’s stopping us doing it again? The short answer is: The market. When Jack Lee was ‘‘queering the pitch’’ of rack-renting slum landlords, the New Zealand economy was still struggling off its knees. Years of economic contractio­n had harmed every sector of the economy and the constructi­on industry was no exception. People were living in shacks because nobody was willing to build new houses for anyone except the most wealthy. The houses that Jack built were possible only because there was an abundance of both labour and materials just waiting for the capital investment to put them to profitable use.

That is certainly not the case in 2017. The combined effects of very high immigratio­n and the catastroph­ic Christchur­ch earthquake­s have mobilised men and materials to the point where the availabili­ty and cost of both has now become quite inelastic.

Labour’s Kiwibuild programme will struggle to assemble the thousands of constructi­on workers needed to erect the 100,000 houses it promises. The competitio­n with private constructi­on firms, into which the state will be forced to enter for land and building materials, will be intense and eye-wateringly costly. Keeping these structures ‘‘affordable’’ for young, first-home-buyers will be a mighty logistical challenge.

It’s a conundrum which calls to mind another housing cartoon. This one depicts a lanky ‘‘Manpower Officer’’ (a reference to strict wartime controls over labour), whip in hand, overseeing a hive of state house constructi­on in Auckland while, behind the gate he’s seated on, privately owned green fields stretch away unexploite­d. Published by Building Progress in the late 1940s, the cartoon offers a vivid illustrati­on of the way ‘‘excessivel­y high’’ levels of state activity in the economy are said to ‘‘crowd out’’ the opportunit­ies for private investment. (The inclusion of the ‘‘Wellington Express’’, carrying decision-makers away from Auckland, strikes a thoroughly contempora­ry note!) The concerns of private constructi­on firms in the late 1940s were well justified. Had Labour won the 1949 election, Auckland would have been a very different city. Compact, with state-designed and constructe­d houses and apartment blocks, the whole isthmus would have been bound together by an intricate, state-owned and run public rail network. A city constructe­d on the North European model. Instead, under National, New Zealand built its very own California­n nightmare.

The best way to come to grips with the housing issue is to conceive of it as a key battlegrou­nd in the class struggle. It’s all there in that Standard cartoon: ‘‘The house that greed built’’ versus ‘‘The house that Jack built’’.

Housing the disadvanta­ged in dwellings which guarantee them comfort and dignity is not something the private sector will ever do uncoerced. That’s why a genuine ‘‘people’s government’’ will unashamedl­y apply its thumb to the scales of supply and demand: deliberate­ly distorting the market in favour of the tenant and the first-homebuyer; forcing down rents and house prices by ‘‘queering the pitch’’ of speculator­s and slumlords.

A pity, then, that 2017’s ‘‘House of Cards’’ contains no Jacks.

LETTERS TO THE EDITOR

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