Walking New Zealand

New Zealand Walk: Guided tour showscases Christchur­ch street art

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As buildings came down in post-quake Christchur­ch, artists saw opportunit­y through destructio­n and found places to leave their mark. As new walls emerge in the rebuild, so too does more art – from inspiring large murals through to small, entertaini­ng “interventi­ons” or paintings.

Christchur­ch’s vibrant street art and mural scene has become a strong element of the city’s identity, having gained wide exposure through public events and local and internatio­nal media. It’s now easy to fill an afternoon with a self-guided tour of the city streets to take it all in – by foot or bicycle.

But if you want to go deeper and learn more about the individual works and artists behind them, try a 1.5-hour guided tour through the CBD with Watch This Space.

Watch This Space aims to inspire people to look at things a bit differentl­y as they take in the ever-changing cityscape. The tour uses some of the city’s biggest murals as marking points, exploring why, when and how they were created. “Often the term street art is now tied into large-scale murals – those massive, beautiful, colourful, vibrant sort of additions,” says tour guide Dr Reuben Woods. “But the roots of this culture come from a much more undergroun­d and subversive engagement with the urban landscape.”

Woods, an art historian and art writer, is well qualified for the role of tour guide. Heck, he even has a PhD in the subject. Appreciati­ng street art is not just about staring up at huge masterpiec­es, he says, but also looking “down and around”.

The act of leaving one’s mark on an area – from cave drawings to contempora­ry muralism, is “something that has been occurring basically throughout time. You’ll find graffiti in some of the most out of the way and obscure places. Sometimes we miss things if we are not looking”.

The walking tour starts outside Canterbury Museum – a neo-gothic building by the Christchur­ch Botanic Gardens. Woods says it’s a fitting starting point, as it is “the site of perhaps one of the biggest moments in the city’s post-quake

street art explosion”. RISE was a street art exhibition held at the museum in 2012-13, which profiled the best of street art from New Zealand and around the world. It was one of Canterbury Museum’s most successful exhibition­s ever, with about a quarter of a million visitors through the door.

For Woods, one of the most striking images from RISE was the banner advertisin­g the exhibition on the front of the museum, which featured a close-up of a can of spray paint dischargin­g a mist of blue aerosol. He was amazed to see “this artistic tool, that for the longest time has also been completely branded with the concept of vandalism, being celebrated on this cultural institutio­n”.

A mural by Belgium artist ROA on the outside of the museum was also a big marker in the city’s embrace of muralism. Tucked away, ROA’s work references the museum’s displays with an image of a moa skeleton.

From the museum, the tour traverses the city streets stopping by large murals by artists such as Jacob Yikes, BMD (Andrew J Steel and D-Side), Owen Dippie and Askew. The artworks were commission­ed in various ways – some by local government or cultural institutio­ns, others as part of street art festivals and one by a major insurance company.

It is clear that big organisati­ons, including commercial entities, see the value in being associated with “a hip and popular form of art”, Woods says. But despite the artform’s new-found popularity, street artists themselves see every piece as ephemeral.

Woods says the works will fade, become obscured or disappear – either by forces of nature, authority or competitio­n between artists.

Just recently, a mural by BMD depicting hundreds of penguins melting with the ice shelf was painted over and Owen Dippie’s much-loved ballerina is now mostly obscured by The Piano. “There’s sort of a natural ability to let go of this when you work in a guerilla style. [Street artists] don’t search for permanence,” Woods says.

Watch This Space’s tour ends in a carpark on Hereford Street, which is like an outdoor gallery for Christchur­ch’s graffiti scene. It is one of the more experiment­al spaces in the city and features work from a range of well-known local members of the street art community as well as up and coming artists.

Woods says while street art was once something found in “out of the way, tucked away spaces”, the quakes afforded it a new prominence. It will be interestin­g to see what happens as a more traditiona­l, “clean” appearance emerges with the rebuild, he says – especially to places like the Hereford Street carpark. “It feels like an important expressive creative space for the city but what does officialdo­m think?”

Watch This Space started about a year ago and as well as walking tours, offers a free interactiv­e map which works on a phone, iPad or computer. It also runs a blog with regular updates and articles delving deeper into the street art scene.

Tours are every Friday and Saturday from 11am to 12.30pm. Watch This Space requires a minimum of five people to go ahead.

Tickets are $25 per person, available online through Eventbrite. For group bookings or any other questions, email tours@watchthiss­pace.org.nz.

 ??  ?? Above: A mural by French artist Tilt, best viewed from a carpark near Christchur­ch Casino. Below left: A mural by Beastman and Vans The Omega, displayed in Colombo St as part of RISE festival.
Above: A mural by French artist Tilt, best viewed from a carpark near Christchur­ch Casino. Below left: A mural by Beastman and Vans The Omega, displayed in Colombo St as part of RISE festival.
 ??  ?? Above: A mural by Daek Williams that used to be on the corner of Colombo and Peterborou­gh Streets.
Above: A mural by Daek Williams that used to be on the corner of Colombo and Peterborou­gh Streets.
 ??  ?? Walking New Zealand, issue no 242 - 2018
Walking New Zealand, issue no 242 - 2018
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 ??  ?? Above: A work by Sofles as part of the RISE street art exhibition at Canterbury Museum.
Above: A work by Sofles as part of the RISE street art exhibition at Canterbury Museum.

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