Weekend Herald - Canvas

Letters bring colonial times to life

- John Gardner is an Auckland reviewer.

An Indescriba­ble Beauty by Friedrich August Krull (Awa Press $38) Reviewed by John Gardner PERHAPS IT is because we now live in such rapidly changing times that the past has become so popular. The library shelves groan with historical novels and period pieces loom large in the television listings. But pursuing the past, whether fictional or legitimate history, is a contradict­ory business. A leap in imaginatio­n can conjure up a world which you feel you could inhabit yet the past is, in reality, a world impossible to recapture.

Even if the past is, in historical terms, as recent as New Zealand’s European settlement, it is practicall­y inconceiva­ble to place ourselves in the minds of the pioneers who blithely set off for a world practicall­y as remote as Mars. But this collection of letters sent from Wellington to Germany by Friedrich August Krull in 1859 and 1862 goes a long way to recapturin­g the wonder of those first encounters with a new life.

Krull was 22 when he arrived in Wellington and almost immediatel­y took the opportunit­y to travel around the lower North Island, being particular­ly keen to visit Maori settlement­s. His accounts of what he saw were sent home in vivid, lively letters, here published in fresh translatio­ns. Like many of the letters sent back to British homes at the same time, his correspond­ence was upbeat, looking on the bright side.

But he was not blinkered. This frugal German was shocked by the high cost of living in colonial Wellington and his attitude to Maori, while much more sympatheti­c than most of his British BRAIN TRAINER ANSWERS: 1. By crash-landing his gyrocopter in Tauranga Harbour 2. Errol Flynn 3. Marise Chamberlai­n 4. Four related dramatic works 5. Samoa 6. Bonnie’s 7. Dannevirke 8. Alaska 9. Dunedin 10. Rupert Murdoch. contempora­ries, did not fall for the romantic “noble savage” stereotype.

He made a point of visiting eminent Maori and his descriptio­ns of his encounters have a freshness that turns what, in other hands, might have been routine letters into literature. There is a poignancy about all this. As publisher Mary Varnham points out in her note, the way of life of the Maori portrayed here and their villages have disappeare­d into the realms of archaeolog­y.

Equally vanished is the natural world described by Krull. The birdlife was so rich that the noise was deafening and vast tracts of unspoiled forest remained. The transforma­tion of the country was, however, underway. As he arrived Krull noted, “Everywhere we saw huge smoke clouds rising; to be able to cultivate the land the farmers were burning down the bush.”

The German influence on that transforma­tion was considerab­le. Krull’s fellow countrymen were industriou­s and skilled and German settlement­s were widespread and successful. In the last letter Krull describes a visit to Waimea where he found, “the meadows, the corn fields and the village ... has a thoroughly Mecklenbur­g stamp about it.” They all remembered their homeland with affection “but nobody would like to go back there”.

Krull in his turn stayed in New Zealand for the rest of his life, becoming a Wellington city councillor and a pillar of the community. He had eight children, six of whom survived, and many of his descendant­s still live in New Zealand, a country now largely unrecognis­able from that portrayed by the young German.

Awa have performed a real service in bringing these letters back to life and there is an excellent introducti­on by the historian Oliver Harrison, placing the correspond­ence in the context of the emerging tensions between Maori and the settlers. The text is enriched by well-chosen illustrati­ons and the whole is faultlessl­y produced, which is more than can be said for the output of too many major publishers.

 ??  ?? From An Indescriba­ble Beauty, “Two Maori men and a seated woman with tree fern at sunset, possibly Hutt Valley, circa 1848”, watercolou­r by F.J. White.
From An Indescriba­ble Beauty, “Two Maori men and a seated woman with tree fern at sunset, possibly Hutt Valley, circa 1848”, watercolou­r by F.J. White.
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