Weekend Herald - Canvas

Big screen: Light somewhat dim

- — Tom Augustine

BLINDED BY THE LIGHT

Realistica­lly, a film like Blinded by the Light

(dir. Gurinder Chadha, rated M) should be right up my alley. From the director of football film staple Bend It Like Beckham,

this film centres on Javed (Viveik Kalra), an isolated and alienated teen in 1980s working-class Britain, who discovers liberation from economic depression, racism and his strict father through the music of Bruce Springstee­n. Here’s the thing — I’m an enormous Springstee­n fan and, though the story is built around Javed’s British immigrant narrative, connecting to the universal themes and ideas of the Boss is an experience shared the world over. This is perhaps why it was such a disappoint­ment when the film turned out to be less Born to Run and more Human Touch (in other words, just okay).

The problem with Blinded by the Light

is that it telegraphs its emotions at fever pitch but rarely convinces. We want to be whirled away in the intoxicati­ng energy of discoverin­g Bruce for the first time and all the other teen staples the film indulges in — finding first love, falling in with a new tribe of similarly affected friends, fighting

with your parents — and the film tries desperatel­y to force the issue, including having Springstee­n’s lyrics fly around the screen as they’re sung. But the film rarely does more than brush the surface of both Javed’s life and Springstee­n’s genius. It twists and warps its narrative to fit the themes of his biggest songs, from Dancing in the Dark as Javed feels creatively unsatisfie­d, to Prove It All Night as he kisses his first girl, to Promised Land as he dreams of a better life. Most of the time these feel groan-inducingly contrived rather than emotionall­y resonant. For all the scenes of Javed joyously running down the street or dancing and singing through the school halls, we rarely feel like joining him, regardless of the music’s magic. Despite some undeniably moving sequences toward the end of the film, Blinded by the Light can’t quite escape its suffocatin­g sentimenta­lity.

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