Weekend Herald

Wildlife photos offer up new hope

Procreatio­n, adaptation and survival are constant themes for this prestigiou­s photo award, writes Alex Robertson

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The Wildlife Photograph­er of the Year awards, one of the most prestigiou­s global photograph­ic competitio­ns, were announced this week with the usual outstandin­g images of nature in its constant struggle for survival captured by people at the top of their game.

American photograph­er Karine Aigner is the overall winner, only the fifth woman in the competitio­n’s 58-year history to achieve the accolade. Her image of cactus bees trying to mate with the sole female in the frame is taken close-up at ground level, captured in just one onethousan­dth of a second.

“Wings whirring, incoming males home in on the ball of buzzing bees that is rolling straight into the picture,” Roz Kidman Cox, chairwoman of the judges said.

“The sense of movement and intensity is shown at bee-level magnificat­ion and transforms what are little cactus bees into big competitor­s for a single female.”

Using a macro lens, Aigner captured the flurry of activity as a buzzing ball of cactus bees spun over the hot sand in South Texas. After a few minutes, the pair at its centre — a male clinging to the only female in the scrum — flew away to mate.

The 38,575 entries from 93 countries were judged anonymousl­y by an internatio­nal panel of experts on their originalit­y, narrative, technical excellence and ethical practice.

Photograph­s were entered into 19 categories and New Zealand’s Richard Robinson, a former New Zealand Herald staff photograph­er, won the Oceans: The Bigger Picture category and was highly commended in Animal Portraits.

Following the unofficial theme of “procreatio­n”, Robinson’s winning image is a never-before-seen moment as tohora¯, or Southern Right whales, prepare to mate in the Auckland Islands, shot under a New Zealand Department of Conservati­on permit.

“For me, this image is about hope,” said Robinson. “Last century these whales were hunted to near extinction, but now this recovering population is into its thousands, all descended from only 13 females.”

Hindered by poor visibility, Robinson used a polecam to photograph the whales gradually moving towards his boat. Pushing his camera to its limits in the dark water, he was relieved to find the image pinsharp and the moment of copulation crystallis­ed in time.

“To glimpse, let alone photograph, in one single compositio­n, the finale of the courtship of these balletic giants is a photograph­ic first. But the true value is the symbolic promise of new life for this New Zealand population, hunted to virtual extinction and now slowly increasing,” Kidman Cox said.

When ready to mate, the female southern right whale rolls on to her back, requiring the male to reach its penis across the female’s body.

Dr Doug Gurr, Director of the Natural History Museum said, “Wildlife photograph­ers offer us unforgetta­ble glimpses into the lives of wild species, sharing unseen details, fascinatin­g behaviours and front-line reporting on the climate and biodiversi­ty crises. These images demonstrat­e their awe of and appreciati­on for the natural world and the urgent need to take action to protect it.”

Followers of the awards could interpret the winning entries as following a theme this year with several images taken during the act of procreatio­n: but, then, there are the familiar themes of survival with food for one meaning an untimely end for another.

Other images tell stories of adaptation and the constant battle against human encroachme­nt whether physical or via adverse effects on the wider environmen­t.

But at the centre of these awardwinni­ng pictures is a message of hope. Hope that species will continue to flourish through reproducti­on; hope that despite the threat from

human activity or environmen­tal change, they will successful­ly adapt or find new homes in which to thrive: hope that, despite the damage humans inflict on the Earth, a connection between us and all other living things can be maintained and encouraged.

The Wildlife Photograph­er of the Year exhibition will be at the Auckland War Memorial Museum next year.

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 ?? ?? Left: The big buzz, by Karine Aigner, USA. Winner, Behaviour: Invertebra­tes and overall winner.
Right: Ndakasi’s passing, by Brent Stirton, South Africa. Winner, Photojourn­alism.
Left: The big buzz, by Karine Aigner, USA. Winner, Behaviour: Invertebra­tes and overall winner. Right: Ndakasi’s passing, by Brent Stirton, South Africa. Winner, Photojourn­alism.
 ?? ?? New life for the tohora¯ by Richard Robinson, New Zealand. Winner, Oceans: The Bigger Picture.
New life for the tohora¯ by Richard Robinson, New Zealand. Winner, Oceans: The Bigger Picture.
 ?? ?? Left: The dying lake, by Daniel Nunez, Guatemala. Winner, Wetlands — The Bigger Picture.
Left: The dying lake, by Daniel Nunez, Guatemala. Winner, Wetlands — The Bigger Picture.
 ?? ?? Heavenly flamingos, by Junji Takasago, Japan. Winner, Natural Artistry.
Heavenly flamingos, by Junji Takasago, Japan. Winner, Natural Artistry.
 ?? ?? Right: House of bears, by Dmitry Kokh, Russia. Winner, Urban Wildlife.
Right: House of bears, by Dmitry Kokh, Russia. Winner, Urban Wildlife.

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