Whanganui Midweek

Cutting-edge thrills in latest play

Amdram Whanganui unveils Sweeney Todd

- Iain Tetlet

Amdram Whanganui is in the final stages of putting together an impressive production of the musical thriller Sweeney Todd - The Demon Barber of Fleet Street.

This is a very ambitious stage show to put on, from a highly entertaini­ng and intricate musical and lyrical score by the American composer and lyricist Stephen Sondheim, which won eight Tony Awards in 1979.

The story revolves around Sweeney Todd, a former London barber in the Victorian era who was sentenced to prison in Australia 15 years earlier by Judge Turpin, on whom Todd wishes to exact his revenge, now that he has returned to London.

Todd collaborat­es with Mrs Lovett, the owner of a pie shop, to deal with any human obstacles to his end goal. The plot twists and turns with intriguing revelation­s of Todd’s history, as characters reappear from his past ...

The introducti­on to the storyline, and the flavour of the show, are set immediatel­y with the opening orchestral music, and the song, Attend the Tale of Sweeney Todd. One is immediatel­y taken up and into the inner machinatio­ns of Todd’s mind … the unfolding of the plotline is then portrayed with captivatin­g performanc­es from the lead actors and an excellent array of supporting roles and chorus members.

Without giving away any plot lines, or discoverie­s that the various characters make as the show progresses, the Amdram cast of talented individual­s clearly enjoy very much working together as a team, with great rapport and spontaneit­y amongst them. The characteri­sations of the various roles are acted with real depth and personalit­y, reflecting the entertaini­ng lyrics of the songs – some serious, some humorous, some endearingl­y macabre, with some beautiful love songs as well.

The cast has been rehearsing diligently to ensure the audience is kept fully occupied with following the details of the storyline. The story is quite fast paced, the music is crisp and energetic, and the spoken dialogue between songs is cleverly written. It is all delivered clearly and knowledgea­bly by the cast, making the developmen­ts of the plot entertaini­ngly tantalisin­g to follow – to see what on earth happens next!

The whole cast is unified in its passion to portray the story to the watcher, and the continuity of the show is very snappy, with some complicate­d entries and exits of various characters to and from the stage at crucial moments, which are all beautifull­y timed and dovetailed.

The performanc­e is accompanie­d by a sizeable orchestra, consisting of many locals, and complement­ed by players from further afield, which does an excellent task of setting the mood for the various songs in the show.

Sondheim has written some very effectivel­y orchestrat­ed music to enhance the personalit­ies of the various characters, and the dramatic highs and lows of the story. It can sometimes be easy to forget that the orchestra is even there, playing live, as their accompanyi­ng of the action – their ensemble with the cast – is so sensitive and subtle that one could easily think the production is being performed to a profession­ally produced pre-existing soundtrack.

Behind the scenes, Amdram’s set design team has done an ingenious job of designing and building five distinct environmen­ts, with a central multi-purpose “cube” that revolves to produce very different scene settings centre stage. The costumes, props, and sound and lighting department­s have pulled out all the stops to give the production a very genuine Victorian feel, and the quirkiness of the whole concept of the story, with its musical and dramatic execution, is good entertainm­ent.

This writer thoroughly recommends booking your tickets to witness this unusual and delightful­ly dark-humoured piece of theatre history, for an evening to remember. You will not be disappoint­ed.

 ?? ?? Sweeney Todd seen in rehearsal.
Sweeney Todd seen in rehearsal.

Newspapers in English

Newspapers from New Zealand