Daily Trust Sunday

‘Humanitari­an work honed my photograph­y’

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Continued from page 22 my mood reflects.

What has been the most difficult challenge doing what you do?

The environmen­t I work in can be considered to be generally challengin­g because of Boko Haram. So facing challenges has become an almost every day thing for me, especially when on out-of-town assignment. Anything can happen when on a road trip in a war zone. However, if one is cautious and respects rules, cooperates with security personnel, one will generally be safe.

What are you photograph­y wise?

favourite

I am always guided by the philosophy that, “The earth is art and the photograph­er is a witness.” So I always move around with my camera and photograph anything I find inspiratio­nal or interestin­g in order to share with the world. But when on a specific assignment, the subjects are determined by what the client wants.

What is your favourite gadget?

I cannot point at a specific gadget as my favourite, but I do like the Canon EOS series of DSLR Cameras. I also love the 50mm F1.8 Prime Lens.

Which is your most loved piece?

subjects;

It is difficult to have one because an artist is supposed to be always improving and making better art. However, I do have a few favourites. One of them is a night time photo of Lagos Street in Maiduguri showing how beautiful it is with the street lights reflecting on the Ngadda River flowing underneath Lagos Bridge. Another one is a portrait I took of Baa Lawan, the founder of CJTF in Maiduguri.

Aside photograph­y, are you into any other art form?

I do not know if this counts, but I was once into martial arts; taekwando to be specific.

Tell us three things you consider as principles to becoming a great photograph­er. Do it for the love of the art. Be sincere in what you show the world. Perpetuall­y strive to improve.

Who has been your inspiratio­n?

My greatest inspiratio­n is Fati Abubakar who was my colleague at work even before I went into full time photograph­y. She is now not just a colleague, but also a sister and mentor. She never hesitates to share her knowledge, experience and even photograph­y tools and gears with me. Words will not be enough for me to appreciate her contributi­on to my photograph­y career.

My former boss, Fatima Kyari Mohammed, who is now an ambassador of AU to the UN, has also been a great motivator. She believed that I have potentials in photograph­y even before I believed it myself. Her words of encouragem­ent have gone a long way in pushing me to become a better photograph­er.

I must state, however, that all my feats will not be possible without the support I get from my family, especially the perpetual prayers I receive from my father. As for my mother, it goes without saying, I am nothing without her.

What are three things you do before setting out to take a photograph?

I make sure all my tools are in good shape; my batteries, then I pray for success and set out.

What project are you working on at the moment?

I carry out several projects for government and Civil Society Organisati­ons (CSO). However, I have a running project called “Maiduguri Is Beautiful” where I share photos showing the beauty of Maiduguri city which the world hardly comes across in the traditiona­l media. I run a Facebook page with the same name where I share the photos.

How do you educate yourself to take better pictures?

Apart from learning from more experience­d photograph­ers like Fati Abubakar, I also follow other photograph­ers across the globe via platforms like Instagram. I also study many online photograph­y resources and watch lots of photograph­y tutorials on Youtube.

Is there any work of another photograph­er that has influenced you?

Fati Abubakar’s work has the greatest influence on me because hers is not just the traditiona­l portrait photograph­y that you find almost everywhere. Her work is primarily documentar­y photograph­y. Given the unique situation we found ourselves in the North East and circumstan­ces that led me to become a profession­al photograph­er, her style of photograph­y is what I naturally fit into from the beginning.

Is photograph­y fulltime for you?

It was initially a part time work, but I have since moved to become a full time photograph­er.

How do you get paid?

Primarily, from clients and I give them my bills. However, I am now looking into other methods of monetising my work because my library of photograph­s is fast growing and I think I can share them with the world while they bring in some cash. Photograph­y is quite an expensive thing when you consider the cost of gadgets and other supporting resources. So any additional means of monetising your work will help push you further as a photograph­er.

 ??  ?? ‘My mood rarely shows in my works
‘My mood rarely shows in my works
 ??  ?? I work in a challengin­g environmen­t
I work in a challengin­g environmen­t
 ??  ?? Photograph­y was initially part time for me
Photograph­y was initially part time for me
 ??  ??

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