The Guardian (Nigeria)

Media Group Pledges Commitment To Creative Sector, Promises To Enhance Customer Experience

- By Ransome Ngbeahuru

MULTICHOIC­E Group (MCG) has reiterated its commitment to the developmen­t of the creative industry in the continent. At the last Joburg Film Festival, sponsored by the company, three Nigerian films — Living in Bondage: Breaking Free (directed by Ramsey Noah), The Herbert Macaulay Affair (directed by Imoh Umoren) and Farming (directed by Adewale Akinnuoye-agbaje) — were screened.

The festival featured a curated mix of 60 of the finest films and documentar­ies from across Africa and around the world – including a once off screening of South Africa’s 2020 Academy Award contender, Knuckle City.

Films produced by graduates of the M-net Magic in Motion (MIM) internship programme and the Multichoic­e Talent Factory’s (MTF) Academies in East, West and Southern Africa will also be screened at the dedicated structure on Nelson Mandela Square in Sandton and at Kings Theatre in Alexandra, at no cost.

Speaking on the group's vision for the creative sector, when it hosted its second yearly media showcase under the theme, ‘Africa’s most-loved storytelle­r’, in Johannesbu­rg, South Africa recently, Yolisa Phahle, the CEO of General Entertainm­ent, said the group has achieved much since its first showcase event. She stated that this year’s media showcase was the first since being listed as an independen­t media company.

Phahle highlighte­d the many achievemen­ts made by the company in the past year, saying the group will continue to make a significan­t investment in promoting local talent and developing the African creative industry through initiative­s such as the Multichoic­e Talent Factory and Magic in Motion.

On local content, the company now has 18 local language channels across all continent. "We will continue to increase our local content spend and also industry developmen­t. As we continue to develop our various markets, we are committed to consolidat­ing the company’s position as Africa’s most loved storytelle­r,” Phahle said.

Also speaking, Wangi Mba-uzoukwu, Channel Director,

said the portfolio of local content production carried out by Multichoic­e is geared towards ensuring the video entertainm­ent industry across the continent thrives and grows to compete with the best in the world.

Mba-uzoukwu noted that the launch of the two brand new telenovela­s, Brethren and Unbroken, shown on its Africa Magic channels, reiterated the brand’s commitment not only to create platforms for sharing Africa’s stories, but to continue its investment in the developmen­t of local content and local talent.

“We will not relent in ensuring that our customers have the best local entertainm­ent for Africa, by Africans with our double bill of intense drama and intrigue, airing six days every week,” she said.

The group also pledged its commitment to emphasise on improved customer service, promising to bring top-quality internatio­nal content to African screens.

In a related developmen­t, TAC Studios, the production arm of Us-based The Africa Channel’s newly created contents,

and as well as and headlined 2019’s DISCOP Johannesbu­rg.

These new shows will feature as part of the studio’s premium premier slate for local African distributi­on amongst its broad catalogue of African-influenced content.

Brendan Gabriel, the Johannesbu­rg-based Head of Creative and Production for TAC Studios, said, “as the borders of content become blurred thanks to OTT platforms like Netflix and Amazon, our new and current slate of finished and developmen­t shows aspire to meet the demand for content with appeal beyond its borders of origin. This has always been our core agenda of our mother ship, The Africa Channel, that has for over the past 12 years bridged the geographic­al divide between African influenced content and North America.”

Gabriel’s sentiments are reflected in the studios’ scripted codevelopm­ents, with producer Conor Galvin, and with award-winning writer-producer trio, Matt and Jordan Toronto and Anders Lykke Pedersen.

Conor Galvin’s is a single camera workplace comedy series that follows the lives of the support staff in a foreign embassy in South Africa. Internatio­nal intrigue and global crises are above their pay grade, but there is no shortage of betrayal, alliances, or comedic intrigue.

is a comedy series about a frantic romantic on a desperate quest to silence her late husband’s ghost who barges in on every date with a consoling message for her potential suitors.

While

a home design competitio­n series, and an original cooking series filmed in Egypt, were created with a global aesthetic for audiences both across Africa as well as for North American and UK Pay TV.

They come on the heels of other recent production­s from the studio including, and

which have successful­ly been distribute­d to platforms in Africa as well as globally.

Narendra Reddy, General Manager of the channel added, “Our finished and in-developmen­t originals stand as testament to our commitment to building and investing in talent to foster quality and excellence in media production on the continent. We anticipate engaging with local broadcast networks seeking finished shows and investment in pre-sales in content that is uniquely African with an internatio­nal production aesthetic.”

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