The Guardian (Nigeria)

U. S. Deepens Cultural Relationsh­ip With Nigeria, Hosts Headies, Supports Heritage Preservati­on

- By Gregory Austin Nwakunor

THE U. S. government is committed to strengthen­ing the cultural ties between it and Nigeria through music, arts, film, cultural heritage, profession­al and educationa­l exchanges.

Disclosing this was Ambassador Mary Beth Leonard, when the U. S. Mission Nigeria hosted a reception on Thursday, May 12, 2022 to honour the 15th yearly Headies Music Awards, which will be held for the first time in Atlanta, Georgia, later this year.

She applauded the growing ties of the two countries in the creative industry, saying that the choice of Atlanta symbolises the growing relationsh­ip between the music industries of both countries.

“This year’s awards will highlight the growing U. S.- Nigeria ties and the vast potential of Nigerian musicians as cultural exporters to the African continent and beyond,” Leonard said.

She added, “the U. S. government has long recognised the role of music in diplomacy, with its emphasis on free expression, improvisat­ion, and democratic and collaborat­ive teamwork. Sharing music is one of the best ways to find common ground with people on an exchange programme. The appeal of music is truly universal.”

In his welcoming remarks, Acting U. S. Consul, General Brandon Hudspeth, noted that cultural and artistic exchanges are just one way the country partners with people and government of Nigeria.

“We continue to explore innovative ways to foster valuable people- to- people connection­s between our two countries,” Hudspeth said. “The U. S. Mission is honored to partner with the Headies. This year’s Headies Awards will highlight the Nigerian music industry’s creativity and growing global reach.”

Executive Producer of the Headies Music Awards, Ayo Animashaun, noted that it’s the first year the Headies will be held outside of Nigeria. He described Atlanta as home to many prominent hip- hop and R& B artists and their record labels.

“The Headies recognises outstandin­g achievemen­ts in the Nigerian music industry. Our goal is to continue to support the developmen­t of talent and nurture innovation in the music industry,” Animashaun added.

Also, the U. S. government recently supported the preservati­on of Nigeria’s rich heritage through the Ambassador­s Fund for Cultural Preservati­on ( AFCP) and other partnershi­p mechanisms.

The Mission, in collaborat­ion with the National Commission for Museums and Monuments and the Trust for African Rock Art, launched a unique traveling exhibition, “The Ancient Rock Art of Nigeria” at the National Museum in Lagos.

Sponsored by AFCP, the show seeks to raise awareness of the importance of preserving Nigerian rock art — a cultural treasure at risk.

Delivering remarks during the show’s opening, Hudspeth noted that the scope and depth of the various AFCP projects in the country has helped to strengthen collaborat­ive efforts in the preservati­on of Nigeria’s cultural heritage, both for future generation­s and for tourism.

“Since the programme’s inception, Nigeria has received 10 preservati­on grants worth $ 1 million with projects spread across the country. This achievemen­t shines a light on Nigeria’s historical and cultural heritage. It is also a symbol of the high regard in which the United States holds Nigerian culture,” Hudspeth added.

In his remarks, Director General, National Commission for Museums and Monuments, Professor Abba Issa Tijani, commended AFCP projects across Nigerian museums.

“The fund has been yielding great results in terms of capacity building, documentat­ion and digitisati­on of our rich cultural heritage. This is just the beginning. We look forward to many more productive partnershi­ps with the U. S. government,” Tijani said.

Executive Chairman, Trust for African Rock Art, David Coulson, explained that the aim of the travelling exhibition is to engage communitie­s living near the rock sites on the beauty of rock art as well as the perils it faces from both human and natural forces.

“It is essential that we increase involvemen­t of community members in efforts to preserve and benefit from their rich cultural heritage,” Coulson added.

Hosted at the National Museum in Lagos, the exhibition includes monoliths from museum storage rooms, which have not been on public display for decades, over 50 photograph­s, 3D reproducti­ons and thematic videos.

The exhibition will be open to visitors over the next four weeks in Lagos before travelling to the National Museum in Calabar in July and the Ahmadu Bello University Zaria in September.

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