The Guardian (Nigeria)

‘ Why I Abandoned Academics, Failed To Publish’

• Declares Lagos An Environmen­tal Disaster • Army Take Over, Suspension Of Constituti­on Meant Suspension Of Culture

- By Sunday Aikulola

ARCHITECT, painter, set designer and pioneer proponent of African aesthetics in building designs and technology, 87- year old Demas Nwoko of New Culture initiative has revealed why he unceremoni­ously left the University of Ibadan and abandoned academia entirely for private practice.

He said Nigerian academia does not value and reward creativity, preferring instead to base promotions on article publicatio­ns, whether of little or no merit.

Nwoko made this startling revelation at the launch of his two books, his first in over 60 years long after he left the academia.

His two new books are titled, Concrete Thinking, which focuses on his life’s works and his memoir, The Happy Little African Prince, while ‘ Some Architectu­ral Design Parametres for the Tropics’ is billed to come out next year.

He cited the case of Nobel laureate Wole Soyinka who also acrimoniou­sly left the University of Ibadan and went to then University of Ife ( now Obafemi Awolowo University), because, Nwoko said, “when it was time for him ( Soyinka) to be conferred with a professors­hip, they passed over him. I remember that Wole Soyinka was our Head of Department, but when it was time to give him professors­hip, the University of Ibadan ignored him. They said that he was creating books, but he was not writing academic books.

“This is why we are not selfsuffic­ient or independen­t, because our universiti­es are manpower institutio­ns but they don’t recognise creativity. I was creating works including aesthetic philosophy and all that. I chose not to be in a hurry to publish my pieces, because I wanted to try them out, build them and make sure that the philosophy works ever before I put them down between hard copies. But I did publish in art and culture magazines when I left. So, the maxim then was publish or perish. I chose to perished and left.

“So, really, I deliberate­ly kept my formal book compilatio­n to virtually the end of my life, when I’m sure that I’ve practicali­sed all my thinking and the tinkering also. That’s why they coming out at this time. People have asked me ‘ what if you didn’t live long to this time’. Well, it didn’t matter really, because the works are there. So even if I didn’t write thesis about them, other people will write about them. So really, I was not under pressure to author or write about my work. But well, I thank God I’m alive and healthy. So I decided to compile them, and I’m still compiling more.”

Nwoko blamed Nigeria’s stunted growth as being traceable to the first military incursion into politics, when it suspended the federal constituti­on, saying it also meant suspending the country’s culture and ways of life and that Nigeria is yet to recover from it. He said that singular action has had far- reaching implicatio­ns for the Nigerian polity and is why the country has remained mired in under- developmen­t. He canvassed the need for the country to make a fresh start that entails a re- engineerin­g of the country’s foundation­al issues.

Nwoko also said the country has failed to midwife its own peculiar building technology, preferring instead to ape the West with the result that our buildings are illsuited for our purposes. “Lagos is an environmen­tal disaster,” he declared. “Why are you not changing it? Lagos is showing bad constructi­on example for the rest of Nigeria, who have abandoned their African building constructi­on aesthetics to copy what they see in Lagos. If there no oil money, where will Lagos get the money to be building the unlivable houses that have no ventilatio­n.”

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Nwoko

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