THISDAY

FROM THE SITE TO THE MUSEUM...

- Timothy Kunle Oyeyele National Unity, Ibadan

Museum started a long time ago in our cultural tradition. It started with man knowing his environmen­t and the arts, when man started the invention of art works and beautifyin­g his environmen­ts. This was the time when man started to live a sedentary life. What then can we say a museum is? Inter-national Council for Museum (ICOM) gave its definition as an organised and permanent institutio­n in the service of the society and it’s developmen­t which is opened for the public and which acquires, conserves, and researches, communicat­es and exhibits for the purpose of study, education and enjoyment, materials evidence of man and his environmen­t.

However, the main aim of archeologi­st is to reconstruc­t and explain the past developmen­t of human culture through the study of material remains, and in order to achieve this aim. The archaeolog­ist must ensure that he obtain the maximum amount of informatio­n from available material and must therefore adopt a wide range of multi-disciplina­ry approaches to the study of culture.

The archaeolog­ist’s fundamenta­l unit of study is the site. An archaeolog­ical site can simply be defined as a spacial concentrat­ion of material evidence of human activity. These may include the remains of communitie­s, hunting site where animals are slaughtere­d by driving them over a cliff, this is also known as kill site. We also have cemeteries, and quarries, where stones were removed before been fabricated into tools etc.

In the course of archaeolog­ical work, the question is often asked by laymen of how archaeolog­ist discover a site. This is done in two ways: Firstly, the archaeolog­ist goes about looking for places of possible archaeolog­ical significan­ce, and secondly, through informatio­n from oral tradition, local knowledge, documents archival materials, and geo-physical prospectin­g. in addition to these, many archaeolog­ical sites are discovered by accidents, by laymen who have no knowledge of archaeolog­y. This can occur when the surface of the earth is dug for farming, digging of well, mining and other constructi­on works, example of these is the discovery of the Dufuna canoe, along a river bed in Yobe State by a farmer while digging a well. in actual fact most cases of archaeolog­ical discoverie­s in Nigeria had been by accident.

In the course of excavation, the archaeolog­ists encounter variety of materials. These materials are known as archaeolog­ical materials. This is also known as material culture. This material covers a wide range of items and can be classified into 3 broad general classes namely artifacts and non-artifactua­l materials and features. Artifacts can be said to be any form of man made objects such as pots, axes, pipes objects of adornment, arrow heads etc. artifacts can be relics or monuments. Non-artifactua­l material include a great variety of things such as animal bones (fossils), seeds, charcoal, shell, ash etc while artifacts are man made objects, features are culturally produced objects which unlike artifacts cannot be taken from the field without destroying it, these may include remains of houses, storage pits, burial places, fire pit etc. but features cannot be removed but can only be recorded in the field.

After excavation, objects may be subjected to series of hazards which may affect the conditions and led to misinterpr­etation and this may happen there on the field before the material leave the site. Firstly, the condition of works of arts or antiquitie­s depends on two main factors:

1) The materials of which it is composed which may vary and,

2) The condition to which to which it has been subjected to in the course of its life history. These conditions may be organic or inorganic. The organic is generally more susceptibl­e to deteriorat­ion than other but no single type of matter is stable under all conditions. But whatever may be the mechanism of it change the environmen­tal condition has an important influence upon the intensity or action and the common factors here is the presence air and moisture. It is not an unusual experience for archaeolog­ist to recover an object in which the objects were in perfect condition, only to see them shrink or wary and sometimes turn to dust when it is exposed to a change of environmen­t. Some objects can also be contaminat­ed in salty ground which may result in corrosion after being exposed to air.

In Nigeria today many archaeolog­ical materials are been lost on daily basis to illicit traffickin­g since most archaeolog­ical discoverie­s are made by accidents, by ordinary people who do not know the benefit, the common man will prefer to sell these objects to foreigners than to hand them over to the museum.

What then can we do to prevent these? In order to prevent the destructio­n of this cultural heritage, what has been done in preserving these heritages need to be improved upon:

The existing law prohibitin­g illegal excavation, and exportatio­n of antiquitie­s should be made effective.

The government should be encouraged to organise outreach programs in order to enlighten the masses on the need to preserve our cultural heritage and to report any accidental discovery to appropriat­e quarters.

Our local government should be compelled to employ at least an archaeolog­ist in order to oversee the existing cultural heritage in their domain. This will make it easier for people to contact their local government in case of any accidental discovery.

From what we have discusses so far, there is no gain saying that Nigeria is losing so many of our cultural heritage on a daily basis and in order to prevent or reduce this, measures will have to be taken by the federal government to preserve these materials from being destroyed.

However, from the archaeolog­ical site to the museum, our archaeolog­ical materials face serious threats of pillaging and mismanagem­ent which public enlightenm­ent programs, stringent legislatio­ns and adequate funding can help to reduce.

- Oyeyele is an Assistant Chief Archaeolog­ist at the Museum of

 ??  ?? Museum of National Unity, Ibadan
Museum of National Unity, Ibadan

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