THISDAY

EBERE WABARA

- Ewabara@yahoo.com, 0805500194­8

sentence and paragraphs and ultimately what are cumulative­ly known as syntax, lexis and structure in grammar. Once the foundation­al collateral­s ( parts of speech, word usage, sentence constructi­on, paragraph harmonizat­ion, spelling, punctuatio­n and sequence) are faulty at any point in the lexical equity chain, communicat­ive dysfunctio­n sets in. So, instead of ‘ big words,’ use simple ones. Clarity is critical to writing— don’t write to impress anyone with verbosity. Needless or worthless verbiage is antithetic­al to good writing. Always remember that simplicity is the soul of writing.

Any of the above sub- heads is the greatest enemy of classical writing and fine prose that flourishes. They diminish the flow of reading and quality of output. Avoid them as much as you can— in fact, as the bible says, flee from them lest they lead you into poor craftsmans­hip and ruin you irredeemab­ly! You will not be there with the reader of your work to explain the inevitabil­ity of the blunder. Overall, cultivate tight writing— it forecloses errors.

If you do not understand the foregoing basic principles, rules and grammar of the English language, you may not go far profession­ally in this business of writing. Even if you circumstan­tially ( or, as they say, accidental­ly!) do, the quality of your work will inevitably underscore people’s perception of you and your reputation­al reckoning. As Prof. Adidi Uyo of Unilag would say, if you must write, write it right!

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