THISDAY

FOR UWAIFO, THE BEAT GOES ON

Victor Uwaifo, sculptor, visual artist and ‘guitar boy’ of highlife music, dies, aged 80

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When a great musician passes on, the music does not stop. Instead, the beat often gets louder and resonates more in its timelessne­ss. This much can be said of Sir Victor Efosa Uwaifo, the great high life artist who died last week. Born in Benin city on 1st March 1941, Uwaifo was among Nigeria’s highlife greats of all times. His passage, not long after Victor Olaiya, marks the beginning of the end of the musical tradition which featured the likes of Rex Jim Lawson, Stephen Osadebay, Victor Olaiya, Bala Miller, Bobby Benson, Eddy Okonta and a host of others. This was an authentic African genre that united the whole of West Africa in a fluid cultural canvas.

Throughout his glorious career, Uwaifo struck his distinctiv­e identity by bringing into the thriving highlife tradition an authentic streak. His authentici­ty derived from his instant ability to fuse his Edo ethnic tradition with the prevailing African urban rhythm that resonated across the continent from the mid-1950s to the 1970s. Within that musical tradition, Uwaifo’s electric guitar and very contempora­ry themes struck an electrifyi­ng immediacy that brought in a younger segment of the audience. Unlike his older contempora­ries, he subjected the leisurely pulsating rhythm of the highlife tradition to constant experiment­ation and innovation. In the process, he was restlessly expanding the frontiers of the original highlife tradition.

The creative restlessne­ss and experiment­ation by Uwaifo were the expression of a certain inner versatilit­y. As a musician, he was a multi-talented instrument­alist. He was first and foremost a distinguis­hed electric guitarist, the indisputab­le ‘Guitar Boy’ of Nigerian highlife music. His exhilarati­ng and distinctiv­e string compositio­ns and arrangemen­ts gave us such classics as ‘Guitar Boy’ and ‘Joromi’, tunes that were instant hits in their time and have remained timeless and classical features of Nigeria’s highlife lore. In addition, he was a flutist, a saxophonis­t, pianist, and percussion­ist.

As a song writer, Uwaifo combined the poet’s attention to thematic relevance with a certain attention to the musician’s ear for cadence and audience appeal. Above all else, he was a vocalist whose youthful voice combined with his stirring string arrangemen­ts which energised both listeners and live concert audiences. He sang in Edo, English and Pidgin. In live performanc­es, Uwaifo came across as youthful, vibrant, and energetic. That youthful energy earned him the followersh­ip of a younger fan base as distinct from the usual ageing audience of the traditiona­l highlife genre. Uwaifo quickened the pace of highlife and in the process made it less predictabl­e and trans generation­al.

What particular­ly stood Uwaifo apart from the rest was that his creativity transcende­d the various artistic genres. He was a sculptor, visual artist, fabricator, and inventor. He invented a personalis­ed guitar which he went ahead to construct and produce a prototype. He insisted on adding his personal creative touch to both the design of his home and even his automobile­s. In recognitio­n of Uwaifo’s versatilit­y, the University of Benin appointed him a professor of creative arts to give him the opportunit­y to share his creative talents and insights with the younger generation and the academic community. Similarly, the Edo State government once appointed him a Commission­er for Arts and Culture to give the wider community the benefits of his artistic vision and spirit of service.

Victor Uwaifo never really retired from either his music or his multiple creative undertakin­gs. Even in his late 70s, he occasional­ly collaborat­ed with younger musicians in ventures that led to very contempora­ry tracks that became instant hits. As news of his demise spread across the nation, the air waves announced his passing with nostalgic musical tributes of his trademark tunes and tracks.

May God comfort the family he left behind.

THROUGHOUT HIS GLORIOUS CAREER, UWAIFO STRUCK HIS DISTINCTIV­E IDENTITY BY BRINGING INTO THE THRIVING HIGH LIFE TRADITION AN AUTHENTIC STREAK

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