With some 1,800 releases in 2018, India is home to the world's biggest film-making machine and Bollywood is arguably its most highest-profile star.
Despite the market entry of global video streaming players such as Netflix and Amazon Prime, the homegrown industry retains a powerful hold on the Indian imagination.
"In 2019, Bollywood has been performing exceptionally well in the last three quarters and has grown by 15 per cent in comparison to last year," Mumbai-based film trade analyst Girish Johar told AFP.
The Bollywood boom even prompted a government minister to claim that India's economic slowdown was overstated, sparking a flood of criticism.
Nevertheless, industry figures indicate that even as Indians cut back on buying essential items, including fruits and vegetables, movie ticket sales have only increased.
"Films are the lowest hanging fruit for many to access entertainment without spending much during a slowdown," said Kamal Gianchandani, CEO of PVR Cinemas, the country's largest operator of multi-screen theatres.
For the relatively affordable sum of R75 (US$1), a moviegoer living in India's most expensive city Mumbai can venture to a single-screen cinema and spend three hours in air-conditioned comfort, distracted from their troubles.
Dinner at a casual restaurant costs significantly more.
In 2018/19, as India's economy worsened, PVR's annual earnings jumped by nearly a third to US$435mn. This year is set to be even better, Gianchandani told AFP, as more and more people seek cheap escapist fare.
A similar trend appeared to be under way during the 2008 global financial crisis, when movie revenues grew as India's economy stumbled.
There is no single official source for film revenues due to India's complex distribution system covering thousands of independent exhibitors.
But figures from widely respected trade portal Box Office India show a nearly 19 per cent increase in earnings between 2006 and 2009.
Conversely, when the economy picked up steam in 2014 on optimism surrounding the election of Prime Minister Narendra Modi, movie revenues actually fell to US$511mn from US$525mn the year before, according to the website.
The trend evokes comparisons to the oft-quoted ‘Lipstick Index’, a term coined by Leonard Lauder, chairman of the US cosmetics giant Estee Lauder, in the early 2000s to explain why lipstick sales go up during a downturn.
The reasoning is that consumers apparently hold back on making big-ticket purchases during a slowdown and instead splurge on smaller indulgences.
With the exception of high-end multiplexes, ticket prices are very low in India compared to other markets, undercutting profits but making movies an accessible luxury for many film-crazy Indians.
For graphic designer Shruti Kulkarni, the cinema offers an opportunity to leave a cramped house and unwind. Downloading a film on her smartphone or laptop is simply not the same, she told AFP.
"There is something about watching a movie in a theatre where you are alone, yet surrounded by hundreds of strangers and sharing the same experience. I enjoy it," the 26 year old said.
Bollywood actor and stunt performer Vidyut Jamwal (C with black cap) is mobbed by media and fans outside a cinema in Mumbai