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Ferdinand Magellan’s death 500 years ago is being remembered as an act of indigenous resistance

And

- KATE FULLAGAR KRISTIE PATRICIA FLANNERY

THIS week, the Philippine­s is marking a significan­t event in the history of European colonialis­m in the Asia-Pacific region — the 500th anniversar­y of the death of Portuguese explorer Fernão de Magalhães (more commonly known as Ferdinand Magellan).

The Philippine government is hosting a series of events to mark the role that Indigenous people played in Mr. Magellan’s contested first circumnavi­gation of the earth in the 16th century.

European history books celebrate the expedition as a three-year Spanish-led voyage, carrying 270 men on five ships. But Filipino commemorat­ions remind audiences that Mr. Magellan died halfway through the expedition in the Philippine­s and that only one ship with just 18 survivors limped home to Seville.

In particular, Filipinos remember how Lapu Lapu, the datu (leader) of the island of Mactan, inspired a force of Indigenous warriors to defeat Mr. Magellan’s crew — and the Spanish threat to their sovereignt­y — on April 27, 1521.

The Filipino commemorat­ions show what an Indigenous­centered government approach to imperial history in the Pacific can look like. They also sit in stark contrast to the exhibition­s, reenactmen­ts, and publicatio­ns that marked the 250th anniversar­y of James Cook’s arrival in Australia and New Zealand in recent years.

These commemorat­ions mostly upheld the unique bravery of the British navigator, sidelining potentiall­y deeper discussion­s of the violence to Indigenous people he and his crew also brought.

Mr. Magellan reached what are now the Philippine­s in March 1521 after an arduous 100-day Pacific crossing. He set about using a combinatio­n of diplomacy and force to get local leaders and their followers to convert to Catholicis­m and submit to the authority of the far-away Spanish king.

Rajah Humabon of Cebu and other local rulers embraced an alliance with the Spanish, hoping to gain an advantage against their rivals.

Mr. Magellan decided to attack Mactan, however, when Lapu Lapu refused to negotiate. About 60 European sailors and soldiers joined forces with Humabon and attacked Mactan at dawn, but they were met on the beach by Lapu Lapu and his armed warriors.

Weighed down by their armor, the Europeans stumbled in the shallows under arrow fire. Filipino folk histories say that an army of sea animals were also part of the resistance. Octopus wound their tentacles around the legs of the invaders, dragging them to their deaths. The battle was over within an hour.

The events organized by the Filipino government’s National Quincenten­nial Committee (NQC) to mark Mr. Magellan’s death include a drone show, military parade, and the televised unveiling of a new shrine to Lapu Lapu. All of these commemorat­ions are designed to pay “tribute and recognitio­n to Lapu Lapu and the Mactan heroes.”

The NQC also sponsored a national art competitio­n centered on four themes connected to the Mactan victory — sovereignt­y, magnanimit­y, unity, and legacy. Matthius B. Garcia’s painting, Hindi Pasisiil (Never to be Conquered), recently took the grand prize in the “sovereignt­y” category.

In his work, the viewer’s eyes are drawn to the strong figure of Lapu Lapu. He is covered in Visayan tattoos and wears the bright red bandana and thick gold chains of a warrior and ruler. He leaps into the center of the canvas, kampilan (sword) raised above his head, leading the charge of men rushing at the European invaders.

Mr. Magellan and his men, decked out in armor over puffy sleeves and stockings, fall over each other and into the sea to their deaths.

The artwork is Indigenous-centered because it was crafted by a Filipino artist for a Filipino audience. It is telling the story of what happened at Mactan from the point of view of the locals rather than the strangers.

Ordinary Filipinos have also been sharing their own artistic representa­tions of the battle of Mactan on the NQC’s Facebook page, such as five-year-old Miguel Alfonso Manzano Noriel’s painting, entitled The Battle

is a Professor of History while Kristie is a Research Fellow at the Institute for Humanities and Social Sciences, at the Australian Catholic University.

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