Business World

Documentar­y on activist photograph­er wins rare top film prize at Venice

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VENICE — All the Beauty and the Bloodshed, a documentar­y about US photograph­er Nan Goldin and her fight against the wealthy Sackler family, won the top Golden Lion award at the Venice Film Festival on Saturday.

Made by investigat­ive journalist Laura Poitras, the film interweave­s the remarkable story of Ms. Goldin’s life with her campaign to hold the Sacklers and their pharmaceut­ical firm accountabl­e for the US opioid crisis.

It is only the second time in the 79year history of the film festival, often seen as a launch pad for Oscar hopefuls, that the main prize has gone to a documentar­y.

The best actress award went to Australian Cate Blanchett for her performanc­e in TÁR, while the best actor award was given to Ireland’s Colin Farrell for his part in the tragicomed­y The Banshee of Inisherin.

The runner-up Grand Jury prize went to an intense French courtroom drama Saint Omer, by director Alice Diop making her debut in fiction after a string of documentar­ies.

All the Beauty and the Bloodshed

beat out a string of more high-profile rivals, including a quartet of movies by US streaming giant Netflix and wellconsid­ered European dramas.

The documentar­y draws on many of Ms. Goldin’s images from her acclaimed slide show, The Ballad of Sexual Dependency, which documented New York subculture­s from 1979-1986.

But Ms. Goldin says her career almost came to an end in 2014 when she got addicted to the OxyContin painkiller, made by the Sackler’s Purdue Pharma, which was given after an operation.

Purdue Pharma allegedly downplayed the addiction risks of OxyContin, helping to fuel a healthcare crisis that has claimed more than 500,000 opioid overdose deaths over two decades. It filed for bankruptcy in 2019.

The Sacklers have denied wrongdoing but said in March that they “sincerely regret” that OxyContin “unexpected­ly became part of an opioid crisis.”

Ms. Goldin has fought a yearslong battle to get museums to stop taking money from the family, saying they should not be allowed to buy respectabi­lity through “toxic philanthro­py.”

“I have known a lot of brave and courageous people in my life, but I have never met anyone like Nan, somebody who could decide to take on the billionair­e Sackler family,” director Ms. Poitras said as she collected the Golden Lion.

“She goes to the depths of her soul and shares things with us that most people don’t share with the people they are closest to, let alone to a public like this.”

JAILED IRANIAN HONORED

Saturday’s ceremony wrapped up the 11-day movie marathon, which drew an array of stars to the Venice red carpet — including Timothee Chalamet, Ana de Armas, Sadie Sink, Harry Styles, Florence Pugh, Penelope Cruz, and Christoph Waltz.

Among other prizes handed out were a special Jury’s Award for No Bears, by Iranian director Jafar Panahi, who is serving a six-year prison term back home.

Best director went to Italy’s Luca Guadagnino for his cannibal love story Bones and All, and its young star Taylor Russell got the award for the best emerging actor or actress.

Best screenplay went to Martin McDonagh, for The Banshee of Inisherin, which he also directed. He won the same recognitio­n in Venice for his 2017 feature Three Billboards Outside Ebbing, Missouri. —

 ?? LABIENNALE.ORG/ ?? A STILL from the documentar­y All the Beauty and the Bloodshed
LABIENNALE.ORG/ A STILL from the documentar­y All the Beauty and the Bloodshed

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