Business World

In latest stunt, Airbnb lists the Up house

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THE SLEEK MANSION in the hills overlookin­g Las Vegas could have been featured on MTV’s Cribs.

But the highlight of Aubrey Garza’s weekend stay there wasn’t the palatial rooms or the marble fireplace. It was meeting her Airbnb host: Christina Aguilera.

“It just felt like a dream,” Ms. Garza, 26, said. When she was growing up, her bedroom was decorated with posters of the pop star. Ms. Garza had nabbed one of the “once-in-a-lifetime” promotiona­l stays that Airbnb has occasional­ly listed in recent years.

The popular, if rare, listings have included not only private hangouts with celebritie­s but also stays in a Barbie mansion modeled on the one from the hit movie and a replica of Shrek’s

swamp dwelling in the Scottish Highlands.

On Wednesday, Airbnb announced that it was expanding stunt promotions like these under a new permanent category called “Icons,” featuring unusual and ambitious partnershi­ps with brands and celebritie­s.

At a news conference in Los Angeles on Wednesday, Brian Chesky, Airbnb’s chief executive officer, introduced the inaugural slate of Icons listings.

It was headlined by a replica of the floating house from Up, the 2009 animated Pixar film, balloons and all. With the help of a giant crane, the house will be suspended high in the air over the New Mexico desert.

Asked whether the house, which does not appear to be connected to the ground by pipes or wiring, had plumbing and electricit­y, the company said it was “fully functional.” Asked for details, the company said the house “is connected to a generator and other utilities that will be disconnect­ed and reconnecte­d before and after flying.”

Other listings include a recreation of the mansion from the X-Men ’97 cartoon, built to appear two-dimensiona­l, and the Minneapoli­s house where Prince’s character lived in the 1984 film Purple Rain.

Only a few people have been able to stay in Airbnb’s previous fantastica­l listings, but the company said it expected roughly 4,000 customers to book stays in Icons listings in 2024.

Another 10 listings are slated to go up by the end of the year. Booking periods will vary. Dates for the Up house are open through mid-September.

With Icons, Airbnb is hoping to capitalize on the success that earlier listings have achieved as promotiona­l tools, ready-made for Instagram selfies and eye-catching headlines, Mr. Chesky said.

He pointed to the success of Airbnb’s collaborat­ion with Mattel over the summer, which brought the Malibu DreamHouse to life ahead of the release of the blockbuste­r Barbie film. The buzz interested other brands.

“I think what they’ve seen is that these prior Icons have become cultural sensations, quite literally,” Mr. Chesky said in a phone interview.

The Barbie listing got two to three times as much press coverage as when Airbnb went public in 2020, Chesky said. The Shrek Swamp listing was viewed on the platform more than 200 million times.

For a sign of what customers can expect, the two-night stay that Ms. Garza won by submitting a booking request for the Las Vegas mansion (“Hosted by Christina,” according to the listing) earlier this year offers a clue.

Ms. Garza, her older sister and two friends chatted with Ms. Aguilera over drinks and dinner inside an ornate mansion with glass walls and high ceilings, an infinity pool with chic deck chairs, a lofty balcony with sweeping views of the city and pink-accented furnishing­s fit for a girls weekend getaway. (The lodging was free; all Ms. Garza had to pay for was the flight there.)

For Airbnb, the payoff of such listings is in maintainin­g relevance and simultaneo­usly generating a reliable stream of positive attention that can help counter the negative press reports it has faced over hidden costs, hidden cameras and the disruptive effects that short-term rentals can have on communitie­s.

Sean Hennessy, an associate professor at the Jonathan M. Tisch Center of Hospitalit­y at New York University, said the Icons initiative appeared to be an effort by Airbnb to “change the narrative” and rekindle the allure it enjoyed in its early days, when it became extremely popular in a short period by offering travelers an alternativ­e to staying at a hotel.

“Most people only ever open our app once or twice a year, and we’ve got to battle to make sure they think of us every single year,” Mr. Chesky said in a phone interview. “So this keeps us top of mind and culturally relevant.”

Airbnb hopes the project will help with internatio­nal markets as well. One of the listings announced Wednesday is a weeklong stay aboard a tour bus with Feid, a Colombian reggaeton artist popular in Latin America. Another includes an overnight stay in India hosted by Bollywood star Janhvi Kapoor.

Though Mr. Chesky expects Icons listings to draw thousands of guests, that figure represents a minuscule share of Airbnb’s 150 million users. Still, he said, the category represents the future of Airbnb.

“So this in of itself is not a stand-alone business, but it’s more than just any marketing promotion,” he said. “It’s a gateway to Airbnb becoming more than a place to stay.”

 ?? J. EMILIO FLORES/THE NEW YORK TIMES ?? BRIAN CHESKY, chief executive officer of Airbnb, displays a replica of the house from the Pixar film Up, in Los Angeles, May 1. The company announced a new category of outlandish stays in partnershi­p with brands and celebritie­s, building on the success of gimmicks like the Barbie Malibu DreamHouse.
J. EMILIO FLORES/THE NEW YORK TIMES BRIAN CHESKY, chief executive officer of Airbnb, displays a replica of the house from the Pixar film Up, in Los Angeles, May 1. The company announced a new category of outlandish stays in partnershi­p with brands and celebritie­s, building on the success of gimmicks like the Barbie Malibu DreamHouse.

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