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In a painterly fashion

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FEbruary is National Arts Month. this is an annual fete that started in 1991 with the signing of Presidenti­al Proclamati­on 683. this year, the National commission for Culture and the arts declared the theme as “alab-sining, alay-sigla,” as “NAM aims to conserve, promote and popularize Filipino artistic creations; integrate the arts in the community life; and harness the arts as catalysts for values education” especially amid a pandemic.

The fashion scene was in a frenzy, as the nomination­s for National artist for Fashion ended on February 28. Salvacion Lim Higgins, the formidable woman behind the slim’s Fashion and Arts school, seems to be the front-runner.

Meanwhile, in their own way, establishe­d fashion designers edgar san Diego and edwin Ao are pursuing their other artistic calling: painting.

EDGAR SAN DIEGO

THE former president of the Fashion Designers associatio­n of the Philippine­s, San Diego is known for distinctiv­e work in haute couture and theatrical costume design.

“When I was taking up fine arts major in advertisin­g at university of Santo Tomas, I took a few part-time jobs to make me financiall­y independen­t. One of them was hand-painting gowns for some establishe­d designers [which was a trend that time]. This made me very familiar to acrylic paints, which is still my medium up to now,” San Diego said.

He had a chance to join his college batchmates for three reunion/art exhibits a few years ago, although these were only short stints and he has always gone back to fashion after the exhibits were done.

“During the lockdown, I started painting again but only full time last May 2020, since there’s more time in my hands now. My love for Filipiñana costumes, beautiful women, colors and production design inspire me, and I try to capture them in my art. I always try to give my paintings varied period looks, such as Victorian, Art Nouveau, Art Deco, sampaguita movies, etcetera,” added San Diego.

among his favorite painters are Gustav Klimt, Diego rivera, claude Monet, Fernando Amorsolo and Botong Francisco. “right now, I still continue to learn while painting everything I love most and I try to keep my colors happy and my subjects positive because it is something that we need most in times like this.”

EDWIN AO

A Cebu City-based member of the Fashion and Design Council of the Philippine­s, ao also teaches multimedia arts at the Cebu Institute of Technology university. “When the government implemente­d the nationwide lockdown, my business closed and my teaching profession was done online. That’s when I decided to revisit painting. I had to unearth my materials and decided to paint to keep myself sane in the midst of the rapid rise in Covid-19 cases in Cebu,” Ao shared.

a graduate of bachelor of Fine arts major in advertisin­g arts at the university of San Carlos, ao has a fundamenta­l background in painting.

“I am a big fan of Francis bacon. I admire his brushstrok­es and his canvases communicat­e powerful sentiments—whole montage seem to scream, not just the people depicted on them. He has the ability to create such a formidable proclamati­on. Jean Michel basquiat—because of his many different styles and techniques that are very distinctiv­e. And alberto burri. unlike other post-war abstract painters who focused on spontaneit­y and self-expression, burri adopted a methodical approach to his work,” ao said.

He admitted that he is pretty much in his element in abstractio­n: “In abstractio­n, there are different facets to show something beyond it. My favorite materials to work on are canvas, paper and acrylic, although I’m now trying to study the effects of decomposed linen fabric to be included in the medium. Still in the experiment­ation phase.”

Art brut (raw art) and abstract expression­ism are ao’s favorite artistic expression­s. “I am working on a commission basis at this time. Some of my clients are asking me if can fill their walls with some of my works, and I’m very much happy to provide them with my works,” ao said. “I haven’t had an exhibit yet. but hopefully in the future, because it takes full-time preparatio­n and focus.”

 ??  ??
 ??  ?? edgar san diego’s Reyna de las Flores,
Mahimbing, 24x33, acrylic
edgar san diego’s Reyna de las Flores, Mahimbing, 24x33, acrylic
 ??  ?? edwin ao’s 50 Days in Amsterdam III, 15x18, acrylic on paper; and
edwin ao’s 50 Days in Amsterdam III, 15x18, acrylic on paper; and
 ?? Magnetic Fields, ?? 15x18, acrylic on paper
Magnetic Fields, 15x18, acrylic on paper
 ??  ?? 24x36 inches, acrylic on canvas; and
24x36 inches, acrylic on canvas; and

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