Remembering veteran journalist Melo Acuna and the comfort women

Melo was one of the instrumental persons behind Flowers-for-lolas, an alliance supporting the campaign on the issue of comfort women and other victims of sexual violence and slavery during World War II.

THe recent death of veteran journalist Melo Acuna coincided with the anniversary of the disappearance of the “Lola” comfort woman statue two years ago, an issue close to his heart.

“It’s sad wife and I got to be part of 12,067 new cases”—the message posted by Melo on his wall on August 24, 2021.

A day later, he asked prayers that his oxygen level increase to 99, otherwise he will be brought to the ICU.

Sadly, Melo passed away three days later, on August 27, 2021, at 2:30 a.m. at the age of 64.

Some friends captured Melo’s character in their postings of love and respect to an iconic figure recognized for his long and distinguished media career.

Melo touched so many lives with his generous heart, sparking so many great conversations with his soothing voice and endearing humility, and being an inimitable pillar of civil, passionate and enlightening dialogues in the country.

Born in Alabat, Quezon on Feb. 8, 1957, Melo is known as a big man with a booming swabe voice that was always radio ready. And he was always prepared to help colleagues, from connecting sources to sharing his playlists of golden memories on radio.

His passing “left a void in the press field” as he was a “great loss to the Fourth Estate.”

Melo was one of the instrumental persons behind Flowers-for-lolas, an alliance supporting the campaign on the issue of comfort women and other victims of sexual violence and slavery during World War II.

He organized several media events for the 2-meter-high “Lola” statue installed along Roxas Boulevard, an unnamed woman wearing a traditional Filipino dress, blindfolded, with hands clutched to her chest.

The “Lola” statue represents Fili

pino women’s dignity and stands as “a reminder that wars of aggression must always be opposed, and that sexual slavery and violence should never happen again to any woman, anywhere at any time.”

If it is a reminder of a painful past, the “Lola” statue honors the memory, courage and resilience of these Filipino women.

Four months after its installation in December 2017, Melo monitored through his facebook account the events that led to the dismantling of the statue under cover of darkness on April 27, 2018 by the DPWH, allegedly for a drainage improvement project, but seen as submission to protests from Japan.

Issues of historical revisionism and the government’s submission to Japanese policy were raised by concerned groups led by the Flowers-for-lolas as they condemned the removal of the statue. President Duterte earlier remarked the state would not want to “antagonize” other countries.

Tulay Foundation again commissioned artist Jonas Roces to make the necessary repair, thus “Lola” was placed under his custody for safekeeping until the Flowers-for-lolas finds her a “home.”

Her new home should have been the Redemptorist Church in Baclaran. However, despite several followups on the formal turnover of the “Lola” statue back to Tulay for its reinstallation initially on August 18, then August 25, 2019, Roces failed to do so.

Ultimately, Roces told Tulay that the “Lola” statue was taken by unidentified men from his art studio in Cainta, Rizal.

That day was my last face-to-face encounter with Melo.

Despite the lockdown, Melo continued hosting the “Tapatan sa Aristocrat” and the “Wednesday Roundtable at Lido” media forums through online platforms.

I told him that I was his “dakilang kaladkarin” as the impromptu resource person on several issues like seafarers, comfort women, activism, politics, Visiting Forces Agreement (VFA), environment, among others.

He would usually call me the night before his event, inviting me to be present although my name was already included in his poster.

Melo also often asked my help when he needs to form a panel for maritime issues, especially those affecting the seafarers and during the annual National Seafarers Day.

One of his recent online media forums on the VFA with the United States touched on the bases agreement.

I gave a historical perspective on the VFA by narrating my experience with the campaign during the 1990s against the renewal of the US military bases treaty.

As the photographer of the Philippine Collegian, I covered several mass actions involving UP students, including the historic Lakbayan in March 1991, a three-day 96-kilometer march from the UP Diliman campus to the Clark Airbase in Pampanga.

I was even one of his guests on August 16, 2021 in Tapatan sa Aristocrat on the proposed Department of Overseas Filipinos, as I described myself in our chat as “manggugulo lang.” A week later, he was gone.

Social media is buzzing continuously and is chocking with Covid stories.

It is more saddening if the Covid death statistics include a close friend like Melo Acuna.