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Showcasing Philippine history and culture through art at the Venice Biennale

- Sonny M. Angara

FOR the fifth straight time, the Philippine­s is taking part in the La Biennale Di Venezia or the Venice Biennale. Now in its 60th year, the Venice Biennale is arguably the most prestigiou­s and famous internatio­nal art festival. A total of 88 nations will take part in the 2024 festival, including new participan­ts Benin, Ethiopia, Timor Leste, Tanzania, Panaman, andd Senegal. The Philippine­s will once again have its own pavilion, which will be open for public viewing from April 20 to November 24, 2024.

The first time the Philippine­s participat­ed in the Venice Biennale was in 1964, where painter Jose Joya and sculptor Napoleon Abueva represente­d the country. Since then, the Philippine­s has skipped the biennial exhibition until 2015 when it finally made its way back for the 56th Venice Biennale. Proper credit should be given to Senate President Pro Tempore Loren Legarda who worked hard for the return of the Philippine­s to the “Olympics of Contempora­ry Art.”

The persistenc­e of the indefatiga­ble Sen. Loren, alongside the parallel efforts of the National Commission for Culture and the Arts and the Department of Foreign Affairs, paved the way for the Philippine­s to be showcased once again as a key player in the art world.

In the 2024 edition of the Venice Biennale, the Philippine Pavilion will feature the works of Mark Salvatus as curated by Carlos Quijon Jr. Entitled “Sa kabila ng tabing lamang sa panahong ito / Waiting just behind the curtain of this age, the exhibition embodies the enduring spirit of Apolinario de la Cruz, who is more popularly known as Hermano Puli, a local hero of the Quezon province who famously fought for religious freedom during the Spanish colonizati­on. It draws inspiratio­n from the landscape of Lucban and Mt. Banahaw.

Five Filipino artists were also selected for the main exhibition, “Foreigners Everywhere”, namely Pacita Abad, Anita Magsaysay-ho, Nena Saguil, Joshua Serafin, and Maria Taniguchi. The theme is very much familiar to us since Filipinos can be found in practicall­y every corner of the world. In 2022, the Philippine Statistics Authority reported that there were close to two million Filipinos working overseas. We can say that the contributi­ons of Filipinos are essential in every field, notably in the maritime industry, healthcare, arts and entertainm­ent. Here at home, a significan­t portion of our population consists of people from different racial and ethnic background­s.

The Philippine­s has also been part of the Venice Architectu­re Biennale since 2016. In the 2021 edition of the exhibition, the Philippine­s was given its first ever award in the Venice Biennale. The collaborat­ive exhibition “Structures of Mutual Support” of the GK Enchanted Farm community and architects Sudarshan V. Khadka Jr. and Alexander Eriksson Furunes, curated by the Framework Collaborat­ive was given the Special Mention for Participat­ion for its “exemplary community project that creates a rich archive and experience of collaborat­ive constructi­on practices.” The 2023 edition concluded on November 26, 2023 with the Philippine Pavilion’s exhibition “Tripa de Galina: Guts of Estuary. The exhibition centered on a Manila estuary and its communitie­s, whose narrative stitched together historical roots and envisioned a resilient future amid present environmen­tal challenges.

Since assuming the chairmansh­ip of the Senate Committee on Finance in 2019, we have constantly provided our support to the Philippine participat­ion in the Venice Biennale. From 2020 to 2024, we have ensured that there is funding support for this endeavor in the General Appropria

tions Act (GAA). A total of P289.5 million has been allocated in the GAA over the five-year period, P194 million of which was based on our own initiative.

Speaking of the arts, on October 15 to 19, the Philippine­s is also set to embark on another historic journey, this time as the guest of honor in the 77th Frankfurte­r Buchmesse, the world’s most prestigiou­s book fair. This is only the second time that a Southeast Asian country has been named as guest of honor in the book fair based in Germany—the first being Indonesia in 2015. This brings Philippine literature and culture to the forefront of the internatio­nal book industry. The guest of honor program seeks to increase the number of translatio­ns from the chosen country into German.

The Philippine­s also made its debut at the Bologna Children’s Book Fair, the biggest internatio­nal fair for children’s content last April 8 to 11, 2024. The National Book Developmen­t Board and the Philippine Board on Books for Young People presented a curated selection of 103 books, exploring themes such as culture, diversity, identity, peace, community, and the environmen­t.

Apart from showcasing the works of our artists and writers, the Philippine­s’ continued participat­ion in these internatio­nal festivals also offers a unique opportunit­y for us to connect with the world and provide non-filipinos a glimpse into our culture and history. We have a wealth of talent here at home and people are starting to recognize this over the years.

Senator Sonny Angara has been in public service for 19 years—9 years as Representa­tive of the Lone District of Aurora, and 10 as Senator. He has authored, co-authored, and sponsored more than 330 laws. He is currently serving his second term in the Senate.

E-mail: sensonnyan­gara@yahoo.com| Facebook, Twitter & Instagram: @sonnyangar­a

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