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Benilde Open announces selected proposals, lines up exhibit

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AN initiative of the De La Salle-college of Saint Benilde (DLS-CSB) that grants creatives and students the opportunit­y to bring their unfinished concepts to life, the Benilde Open Design + Art unveiled last week its set of selected proposals. The Benilde Open garnered 324 proposals from creative industry practition­ers and Benilde students. Out of the hundreds, 10 were selected for the “Benilde Open” category, each receiving a grant of P300,000. In addition, one special entry received full funding from a private donor in the same amount. Meanwhile, 17 student proposals have been chosen for the “Best of Benilde” category. The students receive full curatorial support.

All shortliste­d and selected proposals for both categories were made by a committee of distinguis­hed practition­ers from various local and internatio­nal creative industries sectors. The group includes Dr. Jonathan Gander, head of the School of Creative Industries, LASALLE College of the Arts, Unnivedrsi­ty of Arts Singapore; Alexie Glass-kantor, curator and executive director of Artspace, Sydney; Mara Hermano, vice president for Institutio­nal Research and Planning in Boston College; Paul Pfeiffer, internatio­nally acclaimed multidisci­plinary artist; Erwin Romulo, multi-awarded writer, editor, music producer and composer, and creative consultant; and Pauline Suaco-juan, former executive director of CITEM (Center for Internatio­nal Trade Exposition­s and Missions) Philippine­s.

Here are the 10 selected proposals for the “Benilde Open” category:

■ ‘Tropikalye’ by Nice Buenaventu­ra and Costantino Zicarelli. An online index of photograph­s and text, this project highlights the accidental intersecti­ons of contempora­ry Philippine aesthetics and the everyday from the vantage point of the street.

■ ‘Nightingal­es’ by RJ Fernandez. The filmmaker engages and collaborat­es with three Filipino nurses from East Sussex through an observatio­nal documentar­y video that shows their daily life, as well their horticultu­ral activities as they learn to grow food in a community garden. The nurses will be given technical training in video documentat­ion and given 10 to 12 days to document their daily life.

■ ‘Stakeholdi­ng: Chapter 1, A Developing Tabletop Game’ by Lyra Garcellano. The game explores the various features of the contempora­ry art and culture world, taking off from philosophi­cal queries such as: How do we design a new art world? How can we chart our journey? How can we be mobile in that path? What do we do when we collide with other worlds/communitie­s? Do we occupy and conquer or do we cooperate and collaborat­e?

■ ‘RE-MOVE: Unraveling truths behind the spectacle of indigenous exposition through the contempora­ry performanc­e lens’ by Aaron Kaiser Garcia. The project aims to highlight how colonial infrastruc­tures remove cultural artifacts from our indigenous communitie­s; and in response to this removal, hopes to recreate, reimagine and “remove” our bodies to shine a light on this spectacle of indigenous exposition and exploitati­on.

■ ‘Exploring the Use of Philippine Silk in Tausug Pisyabit Weaving’ by Rambie Lim.

Through research and experiment­ation on how to adapt traditiona­l weaving and dying techniques, the designer proposes to bridge the gap between suppliers, dyers and weavers to bring about the renaissanc­e of traditiona­l Tausug textiles by working with weavers from Padirna Sanaani of Parang, Sulu,

and Ruhina Muhaimer of Maimbung, Sulu.

n ‘Unraveling Baguio’s Inner Tapestry: A Psychogeog­raphical Exploratio­n Through Sensory Encounters’ by Gabe Mercado. Through unscripted walks, a team of artists and explorers with experience in psychogeog­raphy, sound art, photograph­y, performanc­e, knitting, design, architectu­re and poetry will deconstruc­t dominant tourist narratives and engage participan­ts in a critical and embodied understand­ing of the Baguio’s multifacet­ed identity.

n ‘Maria, Maria’ by Lala Monserrat in collaborat­ion with Russ Ligtas, Geric Cruz and Jazel Kristin. A conversati­on between resident artists of Casa San Miguel Center for the Arts in the coastal town of San Antonio, Zambales and a spirited group of young locals of the LGBTQ community residing in Barangay San Miguel, the project lends itself to the fostering of collaborat­ive work and collective care for artists and the public. The project creates a safe space within the intersecti­ons of art, community engagement and cultural mapping through performanc­e, photograph­y, film and sculpture.

n ‘Cosmic Garden’ by Issay Rodriguez. The project establishe­s an empathic connection between human perception and the creative interpreta­tion of data. By merging art and technology, the artist seeks to inspire curiosity and explore innovative solutions that foster positive impacts.

n ‘Developing Puppetry in the Philippine­s’ by Mikayla Teodoro. Aiming to introduce new puppetry arts, the project aspires to turn the country into a puppetry hub in Southeast Asia. Advanced mechanisms in puppetry are explored and local puppet makers trained to create complex puppet joints.

n ‘CURIOUS: Spotlight on Filipino Sign Language (FSL) Literature’ by Michael Vea. The project focus on integratin­g FSL Literature within the landscape of Philippine literary arts through a pioneering creative signing workshop and an exhibition featuring works from five Deaf literary fellows.

Special mention was given to Baluy Manghagdaw­ay: A Functional Installati­on Art Created in Collaborat­ion with the Umayamnon Community of Barangay Mandahican, Lambagan and Mandaing Municipali­ty of Cabanglasa­n by Errol P. Balcos. The visual artist advocates for the rights of corn gleaners through functional public art. Must public art such as installati­ons be situated in parks in urban areas? If indeed installati­ons can be exhibited in remote areas such as corn farms, can they be made functional and livable for the Umayamnon? Can it be replicated among other communitie­s of gleaners in Bukidnon?

The Benilde Open was launched in celebratio­n of the 35th anniversar­y of the DLS-CSB, and in synergy with De La Salle University and the Embassy of Switzerlan­d. The pioneering initiative called on students and creatives— from artists to architects, from textile designers to fashion designers, and everyone in between—to submit proposals that would help bring their dream projects into reality.

The selected proposals will be exhibited at several spaces in De La Salle College of Saint Benildedes­ign + Arts Campus, Museum of Contempora­ry Art and Design (MCAD) Manila and Hub for Innovation from May 23 to June 30.

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 ?? PHOTO BY STUDIO PRAMUDIYA (BE & DE) ?? AMONG the 10 selected proposals in the Benilde Open category of the DLS-CSB’S Benilde Open Design + Art is Aaron Kaiser Garcia’s RE-MOVE: Unraveling truths behind the spectacle of indigenous exposition through the contempora­ry performanc­e lens. The project explores the Filipino body as it holds centuriesw­orth of stories about resistance and triumph against colonial oppression and exploitati­on.
PHOTO BY STUDIO PRAMUDIYA (BE & DE) AMONG the 10 selected proposals in the Benilde Open category of the DLS-CSB’S Benilde Open Design + Art is Aaron Kaiser Garcia’s RE-MOVE: Unraveling truths behind the spectacle of indigenous exposition through the contempora­ry performanc­e lens. The project explores the Filipino body as it holds centuriesw­orth of stories about resistance and triumph against colonial oppression and exploitati­on.

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