Lifestyle Asia

THE DREAM WEAVER

Combining the love for Mindanao with a heart for service, Marga Nograles creates a sustainabl­e fashion line that champions Filipino pride and creativity

- Text GELO DIONORA Photo MIGUEL ABESAMIS FOR STUDIO 100

Kaayo piece weaves together narratives that are as beautiful as the patterns and beadwork that embellish the garment. As founder Marga Nograles puts it, Kaayo— the Bisaya term for “kindness”—is a curated collection of different Mindanao stories. One can look at each item of clothing as a colorful and decorated tale about Mindanao artistry, local culture, and the communitie­s that bring the brand to life.

Kaayo’s story began with a simple jacket and a desire to help out. Already an establishe­d entreprene­ur in the south, Marga would often have visitors in her office. They would drop by either to chat or humbly ask for help with everyday necessitie­s, and Marga would happily oblige.

LIKE MOTHER, LIKE DAUGHTER

Elena, a T’boli woman, and a longtime family friend was one such visitor. Thinking of a more sustainabl­e way to assist her, Marga told her to create T’boli jackets for the businesswo­man to buy at a higher cost. Elena was elated over the idea; after all, her daughter Jie Jie knew how to make good jackets. For the first batch, the motherdaug­hter tandem made around five to eight pieces. When Marga would visit Manila, she would don the garb as everyday wear, pairing it with ripped jeans or shorts. Marga’s friends fell in love with her style; they wanted to have their own jackets as well, so they would order through Marga.

It didn’t take long for Marga to realize that there was an opportunit­y to make the business bigger and better. Drawing from her previous experience in the beauty, fashion, and lifestyle industry, she introduced the basics of business to Elena and Jie Jie—proper costing, mark-ups, and budgeting, among others. Sales grew substantia­lly, allowing the mother-daughter pair to build a home, complete with a beading room where the local women would convene to work.

Marga knew that she would be able to help out more local communitie­s by replicatin­g her business model. This is where her mother’s expertise came in—for decades, Mary Ann “Baby” Montemayor has been at the forefront of Mindanao tourism and volunteeri­sm for indigenous communitie­s across the island. Not only was she able to connect her daughter with more local artisans, but she also advised Marga with cultural guidelines to keep cordial relations with the tribes. For instance, as a sign of respect, garments must not mix different Mindanaoan patterns and beadwork together. Her mother also stressed the importance of studying everything that there is to know about the communitie­s. “She would say, ‘Ok, when you start working with the Ata Manobos, you have to research them first, learn who they are,’” she recalls.

Most importantl­y, Baby kept Marga driven to lead her passion project, no matter how difficult things got. “With all the challenges that come, you can [get exasperate­d.] My mom would tell me, ‘Go back to why you did this in the first place.’ And I would remind myself: we want to help these different tribes, these women. We want to bring pride to our Mindanao.”

It also helps that Marga looks at her challenges as opportunit­ies for growth. For instance, diversifyi­ng and expanding their pool of artisans also helps with maintainin­g production; for example, if one group cannot deliver the garments because of unforeseen weather conditions, they can always shift momentaril­y to another tribe. Or, like with the Bagobo-Tagabawa group of Davao del Sur, the lack of cellular signal teaches Marga and her team to provide thorough instructio­ns whenever they would meet to discuss the garments and patterns needed.

WEAVING THE BEST OF THE PHILIPPINE­S, FOR THE FILIPINO

As much as Kaayo champions the best of Mindanao, the brand is able to help more local artisans across the nation. For instance, the creation of a jacket involves sourcing fabrics and employing tailors from Taytay, Rizal; buying the beads and other embellishm­ents in Davao; and sewing in the patterns at Lake Sebu, South Cotabato. There’s also a Mindanao x Ilocos ruffled skirt, integratin­g inabel fabric with T’boli beadwork—the brainchild of Marga and her good friend, Kristine Singson-Meehan. “[This one] is okay naman,” says Marga, when asked if the T’bolis agreed to the combinatio­n. “We explain to them, [for instance,] ‘Elens, ilagay ko [‘tong inabel] dito ha. Ilocos ito, tinutulung­an natin sila.’ And they’re okay with that.”

Kaayo also empowers groups outside the indigenous community. Their line of bags, for instance, is a collaborat­ion with another mother-daughter tandem who helps people with disabiliti­es. The brand also has a collaborat­ion with Alex Eduque of MovEd, a nonprofit organizati­on that provides early childhood care and developmen­t programs in underserve­d communitie­s. “Alex drew images that, for her, represente­d Mindanao. From there, we embroidere­d the illustrati­ons on the garments. The T'Boli did their hand-stitching work on it,” Marga shares. On top of helping the tribes, the initiative also raises funds to send children to school.

HOME IS WHERE THE HEART IS

Marga and Kaayo’s story proves that championin­g one’s heritage, combined with a heart to serve others, creates a ripple effect that can go beyond expectatio­ns. “I will always say this—I started because this is my culture. I'm a Davaoeña, I'm from Mindanao. So that is my core, my heritage.” she stresses.

For those wishing to take on similar endeavors, Marga has this to say: “Share with the world your uniqueness, and then try to look beside you, what is near you. You know, there might be a tribe beside you, a women's group near you, whatever is close to your heart. Work toward that, and create something out of that.”

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