Manila Bulletin

Pedestrian-friendly urban space complement­ed with public art

- Visual artist Kris Abrigo paints a 1,900 square feet mural depicting the growth that has transpired in Aseana City.

Envisioned to be a pedestrian-friendly urban space, Aseana City has kicked off a public art program that aspires to turn daily strolls in the business district along Roxas Boulevard into an aesthetic, uplifting experience.

Inspired by a global movement to recreate urban spaces, DM Wenceslao &Associates Inc., developer of Aseana City, has unveiled a plan to incorporat­e art in public places beginning with a 1,900 square feet mural wall between what will be a prominent pedestrian corridor between Aseana One office building and Red Planet Hotel.

The walkway is likely to be traversed by commuters alighting from the future Aseana City LRT 1 station to be completed in 2021 and heading for the southern part of the business district.

“We’ve learned from the experience­s of Metro Manila’s older business districts and been inspired by architects and planners who have been advocating for cities that promote ‘life between buildings’ to quote a well-known advocate,” according to Aseana City managing director Buds Wenceslao.

“Our goal is to get people out of their cars and walking in the streets. This will be good, not only for the pedestrian­s’ health, but also good for the city’straffic circulatio­n, the environmen­t and even the social life of the city.”

He added that the pedestrian­ization objective will soon be complement­ed by infrastruc­ture like arcades and sky bridges now being incorporat­ed into the overall masterplan.

The mural by visual artist Kris Abrigo, who has exhibited locally and abroad, is intended also to create a distinct identify for Aseana City and “a sense of place,” according to architect Anthony Ilaga.

It depicts a school of fish, patterned after indigenous fish that once populated Manila Bay – swimming towards the same direction in a maze of mangroves, depicted by the existing patterns on the wall.

Two large fish dominate the mural art with one showing an image of the sunset that Manila Bay is best known for, and the other, Abrigo’s artistic interpreta­tion of what he calls the “abstractio­n of the fish.”

The rest of the public art program outlines three to five massive mural walls waiting to be painted in different Aseana City locations. Moreover, large-scale sculptures, community artworks and significan­t pylons will also be unveiled in the coming years to allow pedestrian­s significan­t art encounters.

The program is a celebratio­n of the city’s urban developmen­t which began with the reclamatio­n of the area from the sea more than two decades ago. It is also illustrate­s substantia­l growth in the Bay Area now considered a prime location and one of the last showcases for forward-looking urban planning in the congested megalopoli­s.

T h i s e a r l y, t h e m a s t e r p l a n n e d community which still has around 70 percent of its area free from structures, is home to office buildings, internatio­nal schools , restaurant­s, residentia­l condominiu­ms and soon to open, massive shopping and retail complex. It is a short drive via Diosdado Macapagal Boulevard to the three internatio­nal airports via the NAIA Expressway.

In addition, it will be one of the main gateways to residentia­l enclaves of Cavite with the completion of LRT 1 extension in 2021 and of the Southwest Integrated Transport System.

Abrigo sees the potential of Aseana City and says the mural wall, a playful mix of vivid colors and geometric shapes, “is a complex representa­tion of the Aseana community moving forward to the future with respect to its past ecosystem.”

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