Manila Standard

The 12 ‘Virgins’

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SO, what’s new with this year’s Virgin Labfest, the country’s biggest theater festival of untried, untested, and unstaged one-act plays?

A lot, apparently. Establishe­d in 2005, the theater festival turns 18 this year. It’s slated from June 7 to 25, at its brandnew home, the Tanghalang Ignacio Gimenez (CCP Blackbox Theater).

The festival returned last year with onstage performanc­es, following two online editions in 2020 and 2021. In 2020,

VLF spearheade­d a new way of presenting and staging live theater using modern technology. In 2021, the festival prioritize­d the educationa­l components, with flashbacks of previous plays.

For 2023, a new chapter unfolds with 12 new “virgin” plays, categorize­d into four thematic sets - Adulting 101 (Set A), REBELasyon (Set B), Y.O.LO. (Set C) and Muwang (Set D).

Set A: Adulting 101 features O by Raymund Barcelon, to be directed by Missy Maramara;

Regine: The Fairy Gaymother by

Chuck D. Smith collaborat­ing with director Mark Daniel Dalacat, and 10 To Midnight by playwright Juliene Mendoza and director Sarah Facuri.

Set B: REBELasyon is composed of Ang Awit ng Dalagang Marmol by playwright Andrew Estacio and director Nazer Salcedo; Dominador Gonzales: National Artist by playwright Dingdong Novenario and director George De Jesus; and

Tuloy Ang Palaba by playwright Layeta Bucoy and director Tuxqs Rutaquio.

Set C: Y.O.L.O. brings to the stage Room 209 by playwright Zheg Arban to be directed by Delphine

Buencamino; Hukay by playwright Ophalain Margaux Serrano and

director Melvin Lee; and Mga Halimaw Rin Kami by playwright Jules Pamisa and director Tat Soriano.

Plays in Set D: Muwang are: Hawaii, Here We Come! by playwright Shenn Apilado, directed by Mark Mirando; O’Donnell by playwright Jerry O’Hara and director Issa Manalo Lopez; and Ang Tuyom by playwright Marjay Manalastas and director Gio Potes.

Three plays from the 2022 edition of the theater festival will be revisited in Set E: Hinog, comprised of Nay May Dala Akong Pansit by playwright Juan Ekis and director Karl Jingco;

Punks Not Dead by playwright Andrew Bonifacio Clete and director Roobak Valle, and Fermata by playwright Dustin Celestino and director Antonette Go-Yadao.

After three years, the staged readings make a comeback. There will be back-to-basics reading performanc­es of selected scripts from the VLF18 submission­s. For Staged Reading Set 1, My Lover’s Presscon

by playwright Ross Manicad and director Katreen Dela Cruz backto-back with Kamay Ng Orasan by playwright Marc Noesis Marquez and director Eljay Castro Deldoc.

Set 2 of Staged Readings features Sino Ang Pumatay Kay Mr. Masangkay?

by playwright U Z. Eliserio and director Rolando T. Inocencio, and TBT: Takbo, Batang Tondo from playwright Mikaella Yoj B. Sanchez and director Chic San Agustin.

Of course, the educationa­l components remain. Theater Talks features speakers on topics of interest to theater actors, practition­ers, and enthusiast­s. Young and veteran playwright­s share their experience­s and writing journey at Playwright­s’ Fair. The Staged Readings, Theater Talks, and Playwright­s’ Fair are free to the public and will be held at the VLF Lounge in the TIG Basement.

Following the theme “Hitik,” VLF fans can expect new and exciting collaborat­ions with veteran and virgin directors, designers, and actors, as well as brave new works overflowin­g with Filipino sensibilit­ies and creativity.

With festival directors Tess Jamias and Marco Viaña, VLF is a collaborat­ive project of the Cultural Center of the Philippine­s, The Writer’s Bloc, and Tanghalang Pilipino.

For tickets and other inquiries, get in touch with the CCP Box Office at salesandpr­omotions@culturalce­nter.gov.ph. Follow the official CCP, VLF, Writer’s Bloc, and Tanghalang Pilipino social media accounts on Facebook, Twitter, Instagram, and Tiktok for more updates.*

 ?? ?? The facade of the CCP Black Box Theater
The facade of the CCP Black Box Theater
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