The Manila Times

BRINGING A BELOVED SUPERHERO TO LIFE

- BY CHRISTINA ALPAD

SINCE his debut in the 1060s, Marvel superhero Iron Man—and his alter ego Tony Stark—has captured the current generation also embraced his heroic acts thanks to

These are also the very same traits, which bound the quintessen­tial modern-day superhero to Filipino-American Ted Robledo, creative director for Walt Disney Imagineeri­ng, and proudly one of the superhero’s biggest fans in the world.

“Who doesn’t love Tony Stark? He’s a cool guy and the cool thing about him as a character and a superhero is that he is as much a self-made man as he is a self-made superhero,” Robledo told

in a sit-down interview at Hong Kong Disneyland in Lantau Island.

Created by Stan Lee, Stark is an industrial­ist and a genius inventor who created the Iron Man suit out of scrap metals and spare parts from weapons, later to battle a global terror threat. In contrast to his brothworld of Marvel, Tony Stark was neither born with nor developed super powers.

“He created his suit to do things that he does. He’s a genius--he studied and worked hard and overcame many things in his life. I think that makes him relatable and inspiratio­nal to all of us--that we can one day become that kind of superhero,” Robeldo added.

As such, it was far from a struggle for Robledo to get to know Iron Man when he was put in charge of bringing the superhero to life in the newest Hong Kong Disneyland (HKDL) attraction, The story Iron below). Man Experience. (See

But he was under immense pressure, nonetheles­s, because of the fact that IMX—as the ride is fondly called—is the

- traction in a Disneyland park anywhere in the world.

All the same, if the way Robledo conducted this interview with The a few hours after IMX’s ofof how he felt about the no signs of uncertaint­y nor anxiety. If anything, the artist showed sheer excitement considerin­g the opportunit­y to work with Marvel, the comic book publisher behind Iron Man, a privilege. been able to work with the folks in Marvel, which is pretty amazing because I’m coming to it work on something that I am already a fan of, and to work for Stan Lee, the godfather of all these comic book heroes is extremely humbling.”

As creative director, Robledo was responsibl­e for coordinati­ng with various artists to come up

- cally, he managed the creative developmen­t of designers and various artists with specialty discipline­s for the attraction’s design and installati­on process.

In the sit-down interview, the imagineer—a portmantea­u of words “imaginatio­n” and “engineer”—detailed that his IMX enabled him to work not just with IT specialist­s but with writers, graphic artists and musicians, among others, as well.

A modern-day inspiratio­n

While one can almost say Robledo is much like Tony Stark place in the Disney division, which taps creative and technical profession­als to create, from concept to constructi­on the theme parks, resorts and attraction­s, was not as clear cut as that of superhero’s in his

Robledo received his Bachelor of Fine Arts Degree in Illustrati­on from California State University but began his profession­al career--believe it or not--as a music schoolteac­her.

Thereafter, he worked a designer in the graphic design and pre-press industries all while working as a storyboard and visual developmen­t artist for television projects in Los Angeles.

The proud Filipino-American, who was born and raised in California by Filipino parents, began his career in Disney as an artist for interactiv­e and gaming studios. It was the ropes not only in animation but also in management. With perseveran­ce, he rose to the ranks.

And while most millennial­s are criticized for shifting from one career to another, Robledo the impulsive nature of this generation with his zigzag rise in Disney.

“This whole notion of being a jack of all trades and master of none is something I heard a lot about since I was a kid. But the truth of the matter is, I think, no matter what, if you are passionate about something--passionate enough to work hard at it--it will pay off or contribute something positive one way or another,” the artist averred.

Robledo admitted he found music, animation, its characters, and even the idea of building physical things. He even dreamt of becoming a comic book artist when he was younger.

“But if there’s beauty in trying various things, it’s that it makes you a resilient person in the end.” Robledo added.

Asked if it was hard to rise among his colleagues in the cutthroat industry, Robledo replied, “I don’t think it’s any harder to say break into this industry that I am in as anything else. I would imagine if you’re an actor or an actress it’s just as hard.”

He explained that the key to get to where he is as an advice what one really loves to do and then work really hard for it. if you’re working at something you really love,” Robledo shared.

The artist admitted his advice are easier said than done but guaranteed all the same there is no other way around it. but the truth is those two are the keys, plus never giving up. There might be things or people along the way who’d say, ‘That’s impossible, that’s too much to do,’ but I think the people who succeeded are the people who just don’t give up.”

Finally, with his latest project now up and running, The asked Robledo what director gives him “Obviously, from today’s to see something that the team and I had been working for many years come to life, and be enjoyed by visitors for the Robledo said.

The IMX took three years to develop, and which Robledo describes as an incredible experience.

“It’s been an incredible ride would give himself.

 ??  ??
 ??  ??

Newspapers in English

Newspapers from Philippines