The Manila Times

The architect designs sustainabl­e but extreme architectu­re

- ARCH. ROMMEL R. ALANIS, UAP

IT is imperative that the architect knows how to design extreme architectu­re as the environmen­tal conditions of the site requires. Normal site conditions like location on flat land is not the problem, but risky geographic­al and geological condition where landslides, tsunamis, storm surges and earthquake­s are natural hazards that the architect must contend. The architect must approach architectu­re in a more holistic manner with a suigeneris character that speaks the language of zeitgeist of the times through the effect of climate change.

One may ask, why build in AREAS WHERE THE THREAT OF flOODING OR LAHAR flOW MIGHT SWEEP away your house? The fact is that sometimes, we have no choice but contend with situation that affects the surroundin­g built-up environmen­t where we are in now. Take the case of Marikina Valley — if you look at the hazard map of Metro Manila, this area is unbuildabl­e. But why has it become a human habitation? Urban planners of the 1970s have already marked it as a high-risk area. This was disregarde­d because of greed and corruption in the government and even among real estate developers. This was evident in 2009, super typhoon Ondoy showed us the folly of building in high-risk areas.

In sustainabl­e architectu­re, the architect must have a practical knowledge in knowing initially what critical factors shall affect his design. Looking at the seismic map drawn by the Philippine

Institute of Volcanolog­y and Seismology, active fault lines are found all over the country. No structure shall be designed and built without due considerat­ion to the high seismicity near the fault lines. All structures in these regions must be earthquake- resistant that could withstand a temblor of magnitude 7 on the Richter Scale. “Earthquake- resistant” building is the correct technical term rather than “earthquake- proof” to be used as a selling point by real estate developers because no structure is guaranteed to survive unscathed in a very strong earthquake.

In the design of single- detached houses, two- story rowhouses or low- rise buildings, applied knowledge of designing disaster- resistant structures is crucial. Larger building structures shall be designed by expert structural engineers. A practicing architect or civil engineer must be proficient in the structural analysis and design of smaller structures they shall encounter in their generalist architectu­ral and engineerin­g practice.

Architects need a geological survey by a geotechnic­al engineer on the project site beforehand, in order to ascertain probable structural problems that might arise if a structure is built. This pertains to structures that shall be constructe­d on areas vulnerable to

LANDSLIDE, flOODING, LIQUEFACTI­ON due to ground motion caused by earthquake or lahar inundation. The architect must visit the local government units to look at the hazard map of its entire city or municipali­ty. Geological informatio­n is a vital factor that shall determine the character and style of the architectu­ral and structural design. Unusual site conditions give the architect an opportunit­y to design extreme architectu­re that can stretch the limits of convention­al architectu­ral design.

Extreme architectu­re is a design genre that stretches the limits the philosophy of modern architectu­re to give way to a particular need based on given conditions. Usually, extreme architectu­re is characteri­zed with an audacious and original architectu­ral expression that is beyond the mundane and the banality of convention­al architectu­re. The architect has turned into a director of cinematogr­aphy in order to extract the desired a priori character.

This is essential on a project site that has drama with an unusual character that the architect can play with his design genius like Frank Lloyd Wright’s masterpiec­e, the “Falling Water” house. We must remember that when an architect designs a structure, aside from its sustainabi­lity, it must transcend the mere pragmatic and mundane requireMEN­TS JUST TO MEET THE SPECIfiCS of the National Building Code, but have aesthetic sense and with exemplary character.

Sustainabi­lity in extreme architectu­re is not just a systemic precedence, but an architectu­ral expediency not known before but applied through necessity. A Japanese architect named Sheguru Ban is an exemplary example. His paper architectu­re is a technologi­cal breakthrou­gh in the applicatio­n of paper pulps to make sustainabl­e architectu­re. He demonstrat­ed the structural integrity of processed paper pulp into tubular structural support in small emergency structures for shelters in Africa and Asia. This is an architectu­ral innovation that was never before attempted before. Aside from processed tubular cardboard, processed bamboo has now a more potentials applicatio­n as building materials due to its inherent tensile strength compared to timber.

How shall an architect design a seismic- resistant house without sacrificin­g the quality of his visions? Basically, it is space planning in terms of spatial, functional and aesthetic needs and budget. The architect has to conceptual­ize first the whole structure before dealing with the particular­s. In most cases, he quickly sketches the plans first without considerin­g what particular architectu­ral solution shall suit the site. Then, he must consider the owner’s preference­s. If the owner is not picky, he has to trust the architect’s designs. This is followed by structural stability, safety of the structure and aesthetic comfort of the owner as basic design considerat­ions.

Most houses that collapsed in the 2019 Batanes earthquake were due to poor constructi­on practices. Houses were ancient and built in the indigenous vernacular tradition of thick rubble stones. Houses collapsed due to the absence of concrete beams and columns stiffeners that hold and protect the stone walls in case of lateral movement caused by an earthquake. The Baclayon churches were constructe­d of coral stones that pulverized due to age. Coral stones lack the cohesivene­ss of solid bricks or cut- stone blocks. Coral stones ARE CALCIfiED STONES THAT IS POOR in compressiv­e strength and bonding. Coral stones have poor bonding on its ancient mortars compared to those set on cement mortar mixture. Ancient churches are most vulnerable to ground motion. This is the reason why most heritage churches must be retrofitte­d to best preserve its structural integrity. The inherent weakness of ancient churches is the absence of moment-resisting space frames. This shall hold together the whole structure in case of lateral and vertical ground motion movement. Modern churches are designed in accordance with the Structural Code requiremen­ts using moment resisting space-frame whose values are assigned to either reinforced concrete or structural steel or even in timber constructi­on.

The provinces in the Bicol Region are the perennial typhoon paths. Houses and buildings must be made of sturdier and heavier materials. Gasoline stations like Shell and Petron are the most vulnerable due to its usual convention­al designs and the use of lighter materials like free- standing steel structures. Structures like school gymnasiums are also most vulnerable. Flimsy structural steel structures like covered courts or gymnasiums cannot withstand battering center- winds of 250 kilometers per hour and higher.

Nature’s catastroph­e engenders innovation in a sustainabl­e modern Philippine architectu­re. The modernist architect is a real master builder, whose skills transcend beyond mere building constructi­on or just the mere aesthetics of architectu­re and just leave it to the engineers the responsibi­lity how to make his designs stand to nature’s vagaries!

Arch. Rommel R. Alan is, U AP is a practicing architect in Na ga City. He is a graduate of the University of Northeaste­rn Philippine­s and Architectu­re in 1977 in I rig a City, Ca marine sS ur, where he received his Bachelor of Science He loves to write non-fiction, architectu­ral and art criticism, and poetry in English, Tagalog, Bi cola no and Spanish. He is also a vanguard of Cultural Heritage Conservati­on, including Bi col Na ga language and Bi col (Irigadiale­ct.)

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