SKorean candidates use song, dance to get votes
Due to the peculiarities of South Korean election law and history, almost every candidate on the campaign trail has a theme song, dance routine, and politically adjusted lyrics to ensure their messages reach voters.
From K-pop chart toppers to “Baby Shark,” still the world’s mostwatched song on YouTube, seemingly no music is safe from a South Korean political makeover.
At a rally for Democratic Party lawmaker Nam In-soon, running for a fourth term in office in Seoul’s Songpa district, campaign speeches were interspersed with ear-splitting blasts of music, as uniformed campaign staff performed choreographed moves.
“This kind of campaigning helps raise voters’ interest,” Nam told AFP before next week’s parliamentary election.
“I can convey my message and policy promises through the campaign songs,” she said, adding that the tunes were carefully selected, and the lyrics thoughtfully re-worked, to help her engage with constituents.
This election cycle, Nam had chosen a hit K-pop song called “Jilpoonggado” — which means “Stormy Road” in English — for her campaign.
The original lyrics, which speak of giving people courage against a storm, were tweaked to request “storming courage” for the candidate, and end with: “ballot number 1 Nam In-soon! The right person to lead Songpa.”
But the campaign also used “Baby Shark” and a few “trott” hits — a kind of slower K-pop, popular with older South Korean listeners — to cover their bases.
K-pop campaigning is not only grueling work for the candidates: campaign choreographer Kim Mi-ran performs an elaborate dance routine three times a day, every day for around two weeks before the vote, everywhere Nam goes.
“The party headquarters gave us some guidelines, but the candidate’s staff have a lot of decision-making power” over song selection and dance routines, said Kim, who is not a fulltime dancer but works as a civil activist outside of election time.
“I talked to her staff to decide on a set of songs that go well with the candidate and choreographed accordingly,” she said.
Only 14 percent of candidates running for the April 10 vote are women, and just 19 percent of sitting MPs are female from 300 seats.
“I think this cultural approach to the election campaigning can be a positive thing for the voters. I can feel people are really excited when they see us — and they join in dancing!”
In many countries, for example, France, the United Kingdom, or Pakistan, candidates are restricted to holding campaign events in designated spaces, such as sports centers, with proper approvals from authorities.
However, under South Korean election law, all candidates are allowed to hold campaign events in the constituency’s streets during a set two-week period before the vote, on the condition they don’t violate a 127-decibel noise limit — a level similar to a rock concert.
Nearly every candidate embraces this opportunity, and speaker-laden vans blasting music, filled with cheering, uniformed campaign staff, have crisscrossed Seoul neighborhoods canvassing for votes since campaigning started on March 28.
At a joint rally Sunday for two of President Yoon Suk Yeol’s party candidates, Lee Yong and Lee Chang-keun, a trott song entitled “You and Me” had been transformed into a party theme song.
“You and me both for the People Power Party, let’s go together!” the new lyrics said, as cheerful supporters swayed along.
South Korea’s commitment to vibrant, noisy political campaigning has its roots in the country’s emergence from military rule into a democracy in the 1980s, Bae Kanghun, a political consultant, told AFP.
“Many pro-democracy student activists in the 1980s who helped the country achieve a direct presidential election in 1987 went on to join the mainstream political scene,” he said, referring to the seminal election that year, which ended decades of military rule.