Philippine Daily Inquirer

The fifth card

- THE IDEAL in prewar years, built by Pablo Antonio Sr., National Artist for Architectu­re, himself an in-law

NE of the best things about growing up Roces was having our own cinema, the Ideal, exclusive Philippine exhibitors of MGM (Metro Goldwyn Mayer) movies. Among the thrills it gave me and my cousins, aside from the obvious one of getting to watch movies for free, was meeting the likes of Charlton Heston, the epic star (“The Ten Commandmen­ts,” “Ben-Hur”), and the debonair Ricardo Montalban. They were friends and occasional house guests of uncle Marcos Vidal Roces, who himself rivaled them in looks.

The Ideal offered entertainm­ent for the taking and, for me, a privileged escape into makebeliev­e: I could become Ann Blyth or June Allyson or whoever was playing at the moment. Sometimes I’d take along a classmate or two and, in the dark and the prized comfort of loge seats, we’d thrill together.

We owned only one movie house, but in those genteel times the Rufinos, friendly rivals in the business, gave us passes to their Avenue, Ever, and State, in exchange for passes to our Ideal—the four houses were close neighbors in Sta. Cruz, the main street of downtown Manila.

I just couldn’t have enough of movies, and I loved watching them almost as much as retelling them to a captive audience of houseboys and house- maids at home. Some weekends, a maid in tow, I’d even walk the two blocks from our apartment home to the Scala and pay our way to a double feature.

When other interests and preoccupat­ions kept Mom, wife to a congressma­n, from the movies, I had almost exclusive use of our passes. I’ve always wondered how the Ideal tickettell­ers and ushers remembered each one of us, as big a family as we were. When I went doubledati­ng (single-dating was a nono at the time), it somewhat embarrasse­d mewhen the tick- A BIT under the weather recently, I watched more than my normal share of television. My usual TV schedule starts with the evening news. Although I am not too crazy about the format, it keeps me informed.

I don’t like it when anchors editoriali­ze. To my mind, they are readers of the news, very good ones, I must add. But to give an opinion or taint the news with a vocal or visual innuendo is foul. There is a time and place for an editorial.

These days, I tune in at 6:30 p.m. I agonize over any obvious bias and try not to watch every sordid bloody detail. Without looking at the images, I can figure out the difference between a shoot-out and a rub-out, while I try to enjoy an early solo dinner in my casita by the pool. On very hot days I imagine how nice it would be to just jump in.

Okay, my jumping-in days are over. One of these days I may ask my landlord to put railings to help me in and out of the water. The designer insists these went out with pool gutters.

The children and I have thought of several innovative (and hysterical­ly funny) ways that will get me in and out without looking like a beached whale. Any ideas?

What else is on television you ask? They’re baaaack!

Revolting

et-teller, flaunting her efficiency, called out our movie-pass number from the booth and proceeded to hand the free tickets to mydate. I, of course, had no illusions whether it was not my movie pass that made me a dream date.

When I got married, the benefits included free carpark space behind the theater, on the Sta. Cruz church grounds, which emptied out at the end of the day—the family donated the piece of land on which the church stands. My children’s generation, whowent to a refurbishe­d and remodeled Ideal, enjoyed yet another privilege, watching advance screenings in the new Preview Room.

Alas, in the last years of Martial Law, a blaze burned the Ideal down, never to rise again. The once fancy premier district of Sta. Cruz itself had begun to go, and Rizal Avenue, the cinema street, had begun to dim with overcrowdi­ng and overbuildi­ng—the LRT railway contribute­d greatly to the blight. My heart breaks whenever I find myself in the area.

One of my fondest movie memories is when Lolo Rafael would take Lola and me to watch movies of Cantinflas, the Mexican comic, not at the Ideal but at either Capitol or Lyric on Escolta, where every now and then they showed Spanish-language movies. I remember that Lolo watched Lola and me more

Poker hand

than the movie, enjoying the sight of us in stitches. Also his hearing, I suspect, had begun to fail him by then.

Life has come full-circle: Movies are free again. The privilege has been reinstated to me in Makati, where we seniors can watch free, anytime—unlike elsewhere, where, I’m told, senior time is designated—and where we can walk from where we live.

And if we feel like watching at home, there are always television serials and DVDs: “Downton Abbey,” “Line of Duty,” “Law and Order,” “Suits,” “Newsroom.” We were glad, though,

Campaign commercial­s are on full blast and, in my opinion, just a tad short of revolting. Faces I thought were gone forever are here again. The same pasted-on plastic smiles have returned. Watch how they shake hands while they look elsewhere. Listen to their tacky slogans. If I get lucky and my plans don’t miscarry, I will miss the circus. I have a trip coming up. Take me away, please.

On the lighter side of the news, I watched the recent Golden Globe Awards.

I marvel at how articulate Hollywood stars are in their acceptance speeches. This year, the inimitable Jodie Foster was honored for lifetime achievemen­t and Daniel Day Lewis, chosen Best Actor for his portrayal of “Lincoln.”

Both enriched us with their discourse—one a bit cocky but daring, tough and tender, honest and in your face but never blatant; the other one eloquent, oozing with class, and fraught with humility of the noblest kind.

And on the much smaller screen of my laptop, I found a priceless video. It is difficult to describe a scene that has so impressed itself on my mind and in my heart. Allow me to try.

Oprah Winfrey had Rick Warren as her guest on LifeClass. Warren, as you know, is the author of “The Purpose Driven Life,” a 40-day personal spiritu- al journal, also known as “the blueprint for Christian living in the 21st century.”

This book was on the NY Times bestseller list for advice books for one of the longest times in history. It talks about God’s five purposes for man’s life here on earth, basically answering that almost inane but common question: “Why was I born?”

In Oprah’s show, Rick Warren speaks about life being like a poker to catch the Filipino Film Festival toward its end, and saw “Thy Womb.” We missed all the other entries, but thought from what we heard that we had probably seen the best: What it lacked for story was more than made up for with acting and cinematogr­aphy.

As it happens, my husband and I are suckers for story, for which there’s just no substitute, and without which there’s no movie to speak of. It’s what I look for in books, TV serials, plays and movies. I watched and enjoyed every staging of Nick Joaquin’s play “Portrait of an Artist as Filipino,” and will hand. Each of us is dealt four cards: our chemistry, connection­s, circumstan­ces and consciousn­ess.

The fifth card can make or break your entire hand. God gives us this fifth card—the gift of free choice. It is a wild card. It can change the suit, the color and number of the other four. And He asks: “What will you do with what you have been given?”

To illustrate, Oprah shows a video about Nick Vujicic, a man born in Australia, without arms and legs. It tells how Nick turned it all around, and how today he lives a life that could be the envy of even someone completely and perfectly endowed.

After the video, the camera shows Nick in the audience. Nick gets out of his seat and walks (yes, he walks) up to the stage, climbs the steps, and speaks about his childhood, his attempt to kill himself, and about his parents he calls his heroes.

“My parents told me, you have a choice to be angry for what you don’t have or thankful for what you do have.”

Let’s not miss this, friends. This statement alone could be our most important life lesson.

To be sure, Nick was dealt a lousy hand. “I thought I had no purpose. I tried to drown myself!” he confessed. But the seeds of love, truth and hope that were planted in him by his par- watch the next ones.

I loved the clear, credible and dramatic unfolding of “Zero Dark Thirty,” Kathryn Bigelow’s movie about the Bin Laden hunt. I’m also looking forward to the new “Les Miserables,” the classic Victor Hugo, a masterpiec­e of a story. Now made into a musical with a powerful cast, it promises to be a double treat.

I do miss musicals, and I’m glad there seems to be a revival, another sign of life coming fullcircle for me. And whenever my memory is triggered, I’m back at the Ideal.

Themwere the days! ents gave him the courage and the strength to carry on.

What seeds are we sowing in the hearts of our children and grandchild­ren?

Today, Nick surfs, plays soccer and golf, travels all over the world to spread his message of hope, and recently married the love of his life.

His amazing story stands as a beacon to those “of little faith” who think that all is lost. Listen to what he says and take heart:

“You want to know why I’m happy and content and full of joy? It’s knowing that no matter what five cards come up in my life, as long as that fifth choice is understand­ing, by faith, that my Heavenly Father owns all the chips in the poker game. So no matter what we have, we’re playing with God’s chips.

“I know that people need hope, and that we’re looking for money, drugs, sex, alcohol, different circumstan­ces, a new relationsh­ip, oh if I was just wired differentl­y. Stop looking everywhere, just look up!”

Try to watch the whole episode. Nowhere else will you find anything more uplifting or inspiring. Who knows? It could change your life forever.

(PS: On YouTube, look up Choice Oprah, “You Gonna Shut Your Mouth.”) IN 1968, younger but already entreprene­ur, without

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