Philippine Daily Inquirer

Criselda knows what women want

From trapeze and blousons to big prints, her designs flatter any body shape

- By Larry Leviste Contributo­r

CELEBRATIN­G 30 YEARS in fashion design for Rustan’s, Criselda Lontok knows precisely how a woman of a certain age can wear figure-flattering, upto-the-minute clothes.

Her signature shapes are short kaftans and mini ponchos in silk or georgette, laid over what hardcore clients claim are the best stretch leggings or flared pants that money can buy.

All numbers are age-appropriat­e and body type-flattering. Her summer and holiday collection­s at Rustan’s Makati are surefire bestseller­s, year in and year out.

Criselda’s classic prints of oversized flowers and punchy geometric prints (yes, big prints will make you look slim) are snapped up the minute they hit the racks.

Lately, Lontok has been adding brocade and chiffon, beadwork and embroidery, creating a new resource when a woman has to dress formal. It takes only two weeks to have a long dress made to measure, its design taken from her line.

Other hallmarks are the impeccable tailoring and the hand-sewn appliques of organza or lamé.

Last Monday at Fairmont Hotel, a white ramp ran the length of the ballroom. The fashion show was Lontok’s homage to Gliceria “Glecy” Rustia Tantoco, who was the one who spotted Lontok’s potential and asked the designer to create her own label for Rustan’s.

Lontok’s first job under Tantoco’s tutelage was as merchandis­er booking orders for fine ladies’ blouses from suppliers. Tantoco was the grand matriarch who built Rustan’s as a high-end store that catered to the buying needs of the middle- and uppercrust of Manila society.

Under Tantoco’s wing, Lontok was trained in sampling the best clothes here and abroad, studying the workmanshi­p, the proportion­s, fabricatio­ns and most especially, the price points.

She knew right away what women wanted, what would and would not sell. Most important, she knew what they would come back for to the Makati flagship store again and again.

On this spread we see the timeless and seasonless apparel. Notice how the bias shapes and trapeze looks are perfect for hiding all body flaws. Flaring away from the body, they redirect the eye, making the proportion­s a perfect fit. Enhancing the elegance are the vibrant color combinatio­ns, a youth serum in dressing, especially for older clientele.

One can see how you can mix and match the pieces. They are in easy-to-care-for stretch and viscose drape fabrics, which are wash-and-wear. You can layer the pieces and accessoriz­e with bold statement necklaces from Carissa Cruz Evangelist­a. All suitable for our resort climate.

Here are the ramp shots of the beautiful clothes created by Criselda, a woman of extraordin­ary taste and smarts. Now showing at Rustan’s Makati.

 ?? VIBRANT red shift underneath a halter coat train. At right, Patty Betita in black sarong knotted on one shoulder and draped above the floor. Jewelry design by Carissa Cruz Evangelist­a. ?? SUYENCHI in mod ballgown. For strictly formal invites, wear a stretch top and goya skirted in black tulle and red duchesse satin. At right, Tweetie de Leon Gonzalez exudes big flower power in this Venus gown with kaftan sleeves. ORANGE top with flared...
VIBRANT red shift underneath a halter coat train. At right, Patty Betita in black sarong knotted on one shoulder and draped above the floor. Jewelry design by Carissa Cruz Evangelist­a. SUYENCHI in mod ballgown. For strictly formal invites, wear a stretch top and goya skirted in black tulle and red duchesse satin. At right, Tweetie de Leon Gonzalez exudes big flower power in this Venus gown with kaftan sleeves. ORANGE top with flared...
 ?? PHOTOS BY ALANAH TORRALBA ?? TWEETIE de Leon Gonzalez in drop-dead glam ballgown
PHOTOS BY ALANAH TORRALBA TWEETIE de Leon Gonzalez in drop-dead glam ballgown
 ??  ?? MARINA Benipayo (above, left) leads the seasoned models parading the various florals and prints.
MARINA Benipayo (above, left) leads the seasoned models parading the various florals and prints.
 ??  ?? APPLIQUE on Issa Agana, in a black satin column with a blooming corsage of cabbage roses embroidere­d for drama
APPLIQUE on Issa Agana, in a black satin column with a blooming corsage of cabbage roses embroidere­d for drama
 ??  ?? THE FINALE; at right, Criselda’s new look–tunic over slim pants, the hard and soft of two opposing fabrics in a marriage made in couture heaven.
THE FINALE; at right, Criselda’s new look–tunic over slim pants, the hard and soft of two opposing fabrics in a marriage made in couture heaven.
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