Philippine Daily Inquirer

Attention- calling releases from Harry Connick Jr. and Bamboo

- By Rito P. Asilo

NOVEMBER’S BIGGEST albums are guaranteed to send music fans into a tizzy, especially with a splashy rollout made more eventful by the exciting

mano-a-mano between comebackin­g Justin Bieber’s “Purpose” and hiatus-bound One Direction’s “Made in the A.M.” on Nov. 13, followed by the buzzed-about return of Adele via “25” (due Nov. 20). But, even this week’s re- leases are nothing to sneeze at:

The album, “That Would Be Me,” boldly takes the music of smooth crooner Harry Connick Jr. to places where it hasn’t gone before—not even his crowd-pleasing versions of “It Had To Be You” and “Recipe for Love” come close to the “pop-centric” sensibilit­y of the tempo-shifting “Songwriter,” the hip-hoppy R&B number, “Where Prisoners Drown” and “(I Like It When You) Smile,” the irresistib­le Pharrell Williams-channeling carrier track that cleverly showcases Harry’s rapping prowess!

At 48, the dashing “American Idol” judge happily steps out of his comfort zone by giving his floor-thumping tunes his own spin, and filling his brand-new pop blast with the jazzy swagger that has enabled the former child prodigy to sell more than 28 million albums worldwide since he recorded his 1977 debut album, “Dix- ieland Plus”—at age 10!

‘Bless This Mess’

The repertoire of “Bless This Mess,” the second solo album of another singing-tilt judge, Bamboo (“The Voice of the Philippine­s”), unleashes swirling hooks that put the 37-year-old rock luminary’s manic energy to good use, and make his electrifyi­ng blend of rock, pop and punk-fueled jams accessible:

There are the exquisite psychedeli­a of the Chris Isaak-recalling “Nothing Like You,” the feisty “Firepower,” the catchy verve of “I Want It All” and the noirish thematic provocatio­n of the bonus track, Kakoy Legaspi’s ambient sound-enhanced “Anak Ng (OFW Blues),” in which Bamboo sings about severed ties and the downside of the Filipino diaspora: “Regalong padala’y nakabalot sa limot/ Miss na miss kita/

Kay tagal mo nang nawala/ —Uuwi ka pa ba?” The back-to-basics lineup of Rivermaya’s original vocalist isn’t just notable for its head-banging bombast: You’ll be drawn to the radio-ready allure of “Last Dance,” and find the sweltering sensuality of “Lingering Love” appealing— if you can overlook Bamboo’s mumbling and occasional­ly incomprehe­nsible delivery—the album’s only downer!

5 Seconds of Summer

The songs featured in 5 Seconds of

Summer’s second studio album, “Sounds Good, Feels Good,” which debuts at No. 1 on the Billboard 200 this week, are weighed down by repetitive themes.

Framed by surging rock-and-punk riffs, lead vocalist Luke Hemmings, guitarist Michael Clifford, bass guitarist Calum Hood and drummer Ashton Irwin whine or wax nostalgic about lost loves and broken relationsh­ips— when they’re not examining their inner demons and their quest for self-identity (“Jet Black Heart,” “Invisible”) and “taking the easy way out” (“Permanent Vacation”).

What’s hard to deny is how persuasive and contagious the fearless foursome’s songs are, especially the irresistib­le carrier track, “She’s Kinda Hot,” a ball-busting anthem that pays tribute to the outcasts and losers the song champions. And “Hey Everybody,” whose rabble-rousing bluster is amplified by the lilting hooks of “Hungry Like The Wolf”—the striking 1982 New Wave classic of Duran Duran!

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