Philippine Daily Inquirer

Will real Jose Rizal please stand up?

(Deconstruc­ting fiction of Rizal as rebel-hero)

- By Margarita Ventenilla-Hamada (Margarita Ventenilla-Hamada is the founder and directress of two nontraditi­onal schools, Harvent School in Dagupan City and in Lingayen, Pangasinan. She is the author of two books on Rizal, “Swatting the Spanish Flies” and

THERE are three kinds of nationalis­ts. For want of a better term, I shall classify them as A, B or C.

The A nationalis­ts can tell gold (freedom or human rights) from the gold-plated trinket (political independen­ce). They buy the gold because they know the intricacie­s of the market well enough to profit and not lose from their investment.

The B nationalis­ts, on the other hand, cannot tell one from the other. Neither do they have the panache of a seasoned trader. So, they get easily conned to invest in trinkets whose glitter feeds their illusion that they have a treasure in their hands.

Pseudos

The C nationalis­ts are not nationalis­ts at all. Pseudos, they prey on the B nationalis­ts’ penchant for glitter and build their fortune selling them their trinkets, which they claim cost them their lives mining, smelting and designing.

The B nationalis­ts glorify these quacks as heroes for such sacrifice and look askance at the A nationalis­ts whose keen eyes they do not have and whose safe way of acquiring their gold through reputable shops is, to them, cowardly, not heroic.

Reformers

These buyers of trinkets, the B nationalis­ts, snigger at the class A nationalis­ts—the “mere reformers” and men of peace like Jose Rizal whose revolution is not a violent, bloody one; whose weapon is the pen and not the sword; whose battlefiel­d is the psyche of both tyrant and slave; whose ideology is liberty, not political independen­ce.

Jose Rizal has been extolled these past many years, not as a reformer and man of peace but as the opposite—a man “generally acknowledg­ed as the inspiratio­n, if not instigator of national independen­ce and unity”—in order to redeem him in the eyes of the B and C nationalis­ts in our country. But historical data and the words of Rizal himself say the opposite.

Noli’s purpose

The purpose of “Noli Me Tangere,” wrote Rizal to his critic, [ Vicente] Barrantes, was not to incite a revolution, but to effect the Filipinos’ mental and moral evolution:

“Yes, I have depicted the social sores of ‘my homeland’; in it are ‘pessimism and darkness’ and it is because I see much infamy in my country; there the wretched equal in number the imbeciles. I confess that I found a keen delight in bringing out so much shame and blushes, but in doing the painting with the blood of my heart, I wanted to correct them and save the others.” (Reply to Barrantes’ criticism of the Noli, Feb. 15, 1890, La Solidarida­d).

Noli’s sequel, “El Filibuster­ismo,” wrote Rizal, is a study of subversion, to make his readers see “the structure of its skeleton,” not an enticement for it: “If the sight should lead our country and its government to reflexion, (Note: not subversion!) we shall be happy no matter how our boldness may be censured ...” (Dedication page, “El Filibuster­ismo,” Europe, 1891).

In Rizal’s essay, “The Philippine­s, a Century Hence,” and in a proclamati­on Rizal addressed to “Our Dear Mother Country Spain,” Rizal said: “I have also believed that, if Spain systematic­ally denied democratic rights to the Philippine­s, there would be insurrecti­ons and so I have said in my writings, deploring any such eventualit­y, but not hoping for it.”—(“Memorandum for My Defense,” Dec. 12, 1896)

Aversion to revolution

Rizal’s aversion to revolution­s was patently consistent from the beginning of his writing career. In an article he contribute­d to La Solidarida­d, “The Truth for All,” May 31, 1889, years before he was accused as the instigator of the Katipunan, he warned the Spanish government in the Philippine­s:

“If you continue the system of banishment­s, imprisonme­nts and sudden assaults for nothing, if you will punish the people for your own faults, you will make them desperate, you take away from them the horror of revolution­s and disturbanc­es, you harden them and excite them to fight.”

He used the word, “horror.” This says the opposite of what our B and C nationalis­ts insist! They also insist that the formation of La Liga Filipina was one of the charges against him.

Union, developmen­t

To this charge, Rizal had countered brilliantl­y and truthfully:

“Let them show the statutes of the Liga and it will be seen that what I was pursuing were union, commercial and industrial developmen­t and the like. That these things—union and money—after years could prepare for a revolution, I don’t have to deny; but they could also prevent all revolution­s because people who live comfortabl­y and have money do not go for adventures.” —(“Data for my Defense,” Dec. 12, 1896, Fort Santiago)

According to Leon Ma. Guerrero, the reason [Eulogio] Despujol had exiled Rizal was because of the antipapal pamphlets found in the luggage of his sister, who arrived with him from Hong Kong, and not because he suspected him of planning to lead a revolution.

Guerrero based his statement on what Rizal had written down in his diary:

“After we had conversed a while he ( Despujol) told me that I had brought some proclamati­ons in my baggage; I de- nied it. He asked me to whom the pillows and sleeping mat might belong and I said, ‘ they were my sister’s.”—( Diary entry, July 6, 1892)

According to some extant letters unearthed, his exile was the opportunit­y that Marcelo del Pilar, a B nationalis­t, seized upon to organize a separatist club. With Rizal out in Mindanao, he (Del Pilar) can now push for independen­ce through armed revolution—an issue that Rizal had blocked at every opportunit­y while they were together in Europe.

Del Pilar told his brother-inlaw, Deodato Arellano, to organize the Katipunan in preparatio­n for an armed revolution for independen­ce.

Valenzuela’s accounts

Pio Valenzuela’s four different accounts of his meeting with Rizal have turned Rizal into a weakling, flip-flopping from an A to a B then to a C nationalis­t. But Valenzuela’s first account of his meeting with Rizal in Dapitan is more credible because it is consistent with Rizal’s writings as early as 1884.

Guerrero tells us in his book, “The First Filipino,” that:

“Bonifacio had at first been reluctant to believe Valenzuela’s report of Rizal’s attitude. (No, no, no! A thousand times no!) but, once convinced of its truth, he ‘began to insult Rizal, calling him a coward and other offensive names.’ Bonifacio, for his own reasons, had forbidden Valenzuela to reveal Rizal’s disapprova­l of the revolution, but he had done so anyway and many of those who had offered contributi­ons had backed out.”

‘Accomplice’

The revised versions of Valenzuela’s conversati­on with Rizal as recorded in his (Valenzuela’s) memoirs, which are more compatible with B and C nationalis­ts’ purpose, are so at variance with Rizal’s sentiments about revolution­s that they are absolutely comical.

Manuel F. Almario calls Rizal an accomplice of the insurgents because he writes, “Rizal never betrayed his knowledge of the plot to the authoritie­s ...” when in fact, it is on record that Rizal did. This, Rizal states unequivoca­lly: “When later, despite my counsels, the uprising broke out, I offered spontaneou­sly, not only my services, but also my life, and even my name so that they might use them in the way they deem opportune in order to quench the rebellion; for, convinced of the evils that it might bring, I considered myself happy if with any sacrifice, I could forestall so many needless misfortune­s. This is also on record.” —(“Manifesto to Some Filipinos,” Dec. 15, 1896)

Katipunan

In this manifesto, Rizal denounced the Katipunan in very strong terms, calling it absurd, fatal, savage, criminal and a dishonor to Filipinos, and asked the rebels to go home. He was not trying to save his neck nor his family “from further persecutio­n,” as alleged by Almario, because Rizal’s manifesto wasn’t the first article he wrote against armed revolution­s for independen­ce.

As early as 1884 and up till a few hours before his execution, he had been denouncing armed revolution­s and independen­ce, while preaching about the Philippine­s’ future assimilati­on with Spain.

Mob

Finally, Rizal’s “Mi Ultimo Adios” describes the rebels as an unthinking, delirious mob, who know not the consequenc­es of their action, too easily seduced by the C nationalis­ts’ favorite slogan —“for country and home,” a slogan used by terrorists all over the world until now. He is willing to die, if his death will stop the carnage and his beloved country will live and find redemption ( not independen­ce) at last.

His death indeed stopped the carnage, albeit for a while, because demoralize­d by his unjust and cruel death, and tempted by the cash reward offered, the rebels sold the Katipunan to the authoritie­s barely a year later (Dec. 15, 1897), at the Pact of Biak na Bato. But his country only got political independen­ce 50 years later from another foreign power and not yet the redemption (the people’s mental and moral evolution) he had tried so hard to bring about.

Third World

One of the major reasons for the Philippine­s becoming a Third World nation after the United States granted her political independen­ce is this: No other class A nationalis­t openly took Rizal’s place after his death.

Our historians and scholars who handled the lessons of our past were and are B and C nationalis­ts. They extol and continue to extol the trinket called political independen­ce while condemning Rizal’s smarter choice for a still weak people—gold nuggets of civil liberties via assimilati­on into a First World nation—by denying that he ever chose this for us.

Being what they are, B and C nationalis­ts, they couldn’t see or they deny what they see —the danger of the trinket they preferred. In the hands of the weak and wicked, this independen­ce becomes a threat to civil liberty (remember martial law?) and progress (look at our unemployed, our homeless, our millions of overseas Filipino workers, our garbage, etc.) as it has indeed become in the Philippine­s.

I have yet to meet someone from among our historians and scholars who is focused on bringing about our redemption by examining possible technologi­es that may effect our moral evolution.

If our B and C nationalis­ts do not morph into class A nationalis­ts soon, we will forever be producing student activists, like the 43,000 cadres of the ’70s who took up arms against the Marcos’ administra­tion and died accomplish­ing nothing. The evil they blamed on Marcos persists up to this day long after he and his administra­tion have gone.

Just like how Bonifacio’s Katipunero­s and Aguinaldo’s guerrillas accomplish­ed nothing, too, not even winning the independen­ce they pretended to pursue. This is the truth in our history.

The independen­ce granted us by the Americans was not due to any “heroic” efforts of our B and C nationalis­ts but to the Americans’ shrewd realizatio­n that they can colonize us more efficientl­y if we had an independen­t democratic government.

America’s ‘chosen’

Through our elections, the Americans can put their “chosen” in top positions and get everything they want, without compromisi­ng their noble statutes’ stand against acts of subjugatio­n. Those chosen, who don’t do as they are told, are assassinat­ed ( Magsaysay) or ignominiou­sly removed ( Marcos, Erap and Gloria) by an adverse press their ambassador­s foist on the people who have been molded to be B and C nationalis­ts by our historians.

We need class A nationalis­ts to give us, in the words of Alejandro Roces, a “factual and objective perspectiv­e—one that strives for meaningful interpreta­tion of people and events of the dim past,” not a warped, subjective appraisal of these to support one’s inferior and dangerous ideology.

Until these class A nationalis­ts come forward, Rizal will remain, long after the sesquicent­ennial of his birth, the dreamer of unfulfille­d dreams of peace and progress ( the fruits of redemption) in his beloved Philippine­s.

 ??  ?? THE HERO AND THE CONDO Jose Rizal steps down from his monument at Luneta Park in Manila in Bonifacio Juan’s installati­on at ManilArt 2015. ManilArt organizers invited fairgoers to have their photos taken with Rizal as spoiler, much like the Torre de...
THE HERO AND THE CONDO Jose Rizal steps down from his monument at Luneta Park in Manila in Bonifacio Juan’s installati­on at ManilArt 2015. ManilArt organizers invited fairgoers to have their photos taken with Rizal as spoiler, much like the Torre de...

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