Philippine Daily Inquirer

A refuge for the weary

- RAMONDEL ROSARIO

These are stressful times, with worrisome uncertaint­y in the future not only of the Philippine­s but of the world. At times like these, it is helpful to pause and seek places of refuge, where we can avoid political noise and enjoy peace and quiet. We can take time off to smell the flowers and enjoy the ocean breeze. Orwecan enrich our souls right here in the city, while admiring our rich heritage and items of great beauty and history.

Such a haven is the National Museum. And I ask: Whenwas the last time you visited?

Probably a disappoint­ing number will say they've never been to the National Museum. Many will admit that it's been decades since they last visited, and their memories are of a dusty place with tired and uninspired exhibits. A small number will proudly proclaim that they visited recently and were amazed at how our National Museum has been transforme­d into a worldclass institutio­n. More amazing still is the realizatio­n that it is actually comprised of two fully functionin­g museums—the National Museum of Fine Art (NMFA) housed in the magnificen­t old Legislativ­e Building, and the National Museum of Anthropolo­gy (NMA) located in the old Department of Finance Building in the Agrifina Circle in Rizal Park. And a third museum, the very exciting National Museum of Natural History (NMNH), is nearing completion in what was once the Department of Tourism Building!

The most famous attraction in the NMFA is of course Juan Luna's masterpiec­e, “Spoliarium.” No matter how many photograph­s one has seen, one can fully appreciate its scale and magnificen­ce only through a face-to-face viewing. But significan­t and impressive though the painting may be, the NMFA is much more than just the “Spoliarium.”

With word of the NMFA's vastly improved condition spreading among private and institutio­nal owners of major cultural pieces, a growing number have agreed—or even offered—to have their collection­s moved to it, mostly on long-term loan arrangemen­ts, to allow more people to view and appreciate them. Thus, in recent years the NMFA has gained the privilege of showing major masterpiec­es like the Botong Francisco murals of the Philippine General Hospital on the progress of medicine in the country, the outstandin­g Manansala murals that used to hang on the upper walls of the Philamlife Auditorium lobby, a major portion of the impressive art collection of the Government Service Insurance System, and the rare religious art collection of the Bangko Sentral ng Pilipinas, among many others. An outstandin­g gallery on sculpture includes remarkable pieces by no less than Jose Rizal himself. In all there are 24 galleries housing collection­s of early religious and secular art, 19th- and 20th-century academic, romantic and realistic art and sculpture, and modernist paintings and sculpture.

The NMA, opened in 1998, has among its major attraction­s the massive cannons and jars, maritime navigation­al instrument­s, ceramics and other artifacts from the sunken galleon San Diego. Also highlighte­d are the famous Maitum jars, burial vessels and coffins, gold and other precious precolonia­l artifacts and jewelry, and an actual balanghay built and used by early Filipino seafarers. Other exhibits trace the evolution of the Filipino alphabet and language, the artistry and use of textiles in the various regions, and the developmen­t of Filipino culture and life through the centuries.

These two museums are air-conditione­d and open daily except Monday. Admission is now free all year, after the museum trustees noted significan­tly improved attendance on free-admission days. It is heartwarmi­ng to see once unimaginab­le lines of people awaiting entrance into the museum on most days! And the NMNH, opening in a few months, will surely be a delightful experience for all.

The National Museum is an exceptiona­l partnershi­p between the government and the private sector whose support has come through priceless collection­s, management guidance, and financial support and partnershi­ps. It is a quiet yet notable example of how the public and private sectors can collaborat­e and create a jewel of an institutio­n that enriches the Filipino soul.

Come on a Sunday when traffic is lightest, refresh your soul, and be reminded of how proud we should be to be Filipinos.

———— Ramon del Rosario (rrdelrosar­io@gmail.com) is chair of the National Museum.

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